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We all know how important the first page of a submission is. If you can't hook an editor, agent, or reader on page one, they'll never make it to page two!
But what do editors actually look for when they dive into a picture book submission? What makes them keep reading and say, "I need to have this on my list?", and what elements give them pause? Macmillan Children's Publishing Group Senior Editor Kat Brzozowski will take you behind the scenes, reviewing first pages live - seeing them for the first time in real time - so you can get a sense of what makes a picture book submission feel like a must have. Even if your page isn't reviewed, you'll come away with useful information about first pages to guide your next revision. |
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9/9/25 at 7:00 PM CST
Let’s Edit Your Picture Book No, really. I’ll edit your picture book right here and now. For real. I can’t believe it either, but let’s try this. Attendees will get the chance to have their picture book edited live in the workshop by a seasoned children’s book editor turned literary agent (aka me, Carter Hasegawa). Everyone will get a chance to see how editors approach and edit a picture book text. And a lucky person – or maybe even a few people, if time allows – will get to have their ms. edited. Above the slushpile submission: Yes! There’s a special submission opportunity for all registrants! |
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Joy Peskin
Senior Executive Editor at FSG BYR (Macmillan) |
As Senior Executive Editor at Farrar Straus Giroux Books for Young Readers, Joy Peskin edits a range of books for children and teenagers. Books she has edited for FSG BYR include The 57 Bus, by Dashka Slater, New York Times Bestseller and recipient of many honors including the Stonewall Book Award (winner), YALSA-ALA Award for Excellence in Nonfiction (finalist), Boston Globe-Horn Book Award for Nonfiction (honor); Speak: The Graphic Novel, written by Laurie Halse Anderson with art by Emily Carroll, recipient of five starred reviews; and For Black Girls Like Me and Stonewall Honor book In the Key of Us, by Mariama Lockington, each the recipient of five starred reviews.
At Macmillan, Joy is a leader of the MCPG Diversity, Equity, and Inclusion committee and she teaches a company-wide course on Author Care. Other roles Joy has occupied at Farrar Straus Giroux Books for Young Readers since joining the group in February, 2012, include Editorial Director and Executive Editorial Director. A graduate of Vassar College and the Radcliffe Publishing Program, Joy has taught writing to aspiring authors, youth experiencing homelessness, women experiencing incarceration, and teens in a juvenile detention center. Her own essays have been published in Salon, Glamour, The Huffington Post, Parents magazine, Publishers Weekly, and Lilith magazine and she is the recipient of the Award for Excellence in Writing about Seniors, Simon Rockower Awards for Excellence in Jewish Journalism. Dear Hope, a play she wrote, was produced by the Hangar Theater in Ithaca, New York, in November, 2020. She has mentored and tutored children in New York City and New Jersey since 1997, and she is now a CASA (court appointed special advocate) within the foster care system in Essex County, New Jersey. Joy has served on the boards of Every Child a Reader and Literacy for Incarcerated Teens. |
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Join Stephen as he takes a fascinating look at picture books, both past and present, and dives deep into the essential elements that make a picture book truly stand out.
In this workshop, you'll discover: ✔ What makes a picture book captivating for readers of all ages ✔ Common pitfalls to avoid when writing for young audiences ✔ Insight into current trends and the evolving picture book market |
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Join us for an exclusive interview with Associate Agent Jackie Kruzie as we delve into her preferences, pet peeves, and what truly impresses her when it comes to submissions. Whether you're a seasoned writer or just dipping your toes into the publishing world, this is an opportunity you won't want to miss. |
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