Piles of multi-colored leaves, rainy, chilly days, warm drinks and cozy sweaters. . . Are you enjoying fall? What have you been reading? 

Well, just in time for Halloween, I am pleased to introduce to you a new picture book and interview its author!

So, once again dear readers, welcome to the KidLit Oasis ― the place to refresh your spirits, recharge your creativity, and get a literary mood boost! It's great to have you here!

Now, stretch your smiles wide and get comfy and cozy for an awfully fun and sweet chitchat with children's author Sandra Sutter who is here to share some wisdom, insight, and inspiration with us!

Plus, check out the giveaway at the end of this interview. 

Welcome, Sandra! Thank you for joining us on the blog. Please briefly describe your journey to publication.

A: Stan’s Frightful Halloween was one of the first stories I wrote when I began my (serious) writing journey in 2017. But after a few critiques with my newly-formed critique group, it sat untouched in my computer while I worked on other projects. Meanwhile, my debut picture book, The Real Farmer in the Dell, was picked up by Mira Reisberg and Callie Metler at Spork, an imprint of Clear Fork Publishing. I got to know Callie through that process, and when I saw she didn’t have a Halloween-themed story on her list, I showed her my manuscript. Callie loved clumsy werewolf Stan as much as I did, and now he and his story can be shared with everyone!
 
Q: What do you find most challenging in this business, either on the creative or publishing side of things? What do you find most rewarding? What helps you stay motivated?

A: There are a lot of challenging aspects of the Kidlit publishing world. The biggest challenge is staying motivated in the face of rejection and long waits. There are a lot of both! But being a part of the community – building friendships, learning, giving back – and sharing stories and information with children are incredibly motivating rewards. And, for me, the creative process isn’t optional. The need to do it IS motivation.
 
Q: Could you share any craft tools or techniques that you find most helpful to you when working on a project? What does your revision process look like?

A: My brain generates a lot of ideas, often at random times when I can’t get around to working on them (on a mountain bike, at the grocery store, in the shower, while driving). So, I email myself when an idea takes root and tuck it away in a special computer file. When I’m ready, I revisit the idea. I’ve found it helpful to add details – to note the word, image, or memory that prompted the idea – so when I circle back to it, the spark is still there.

My revision process always begins with sending the work to my critique partners. I need feedback! It doesn’t matter if I agree or disagree, the feedback itself is incredibly valuable and I trust my critique partners always have my best interest at heart. Sometimes I set the work aside for a while to allow things to sink in. Other times, I revise right away because I am too excited about making the story better. I really, really love the feeling that a “missing piece” has been found and my manuscript “puzzle” is almost complete.

Q: What's coming up for you next? Please tell us about any new releases, exciting news, upcoming events or anything else you'd like to share with our readers?

A: I’m incredibly excited about the release of Stan’s Frightful Halloween and sharing this loveable character with the world. Stan has a lot going on for such a young werewolf, so you might get to see more of him in the future.

Due to COVID and remote-schooling two young kids, my time devoted to writing has been … limited. But, I do have some exciting plans in the works which I hope to announce soon. You can follow me on Twitter or visit my website for more information, and please stop by the Wonder of Words blog, which I run with five amazing critique partners. Every three months I host the PITCH IT TO ME CHALLENGE, where an author pitches a story idea and a “celebrity” guest and I craft our own and put it to a vote. It’s always fun and a great way to see multiple pitch ideas.

Thank you, Rosie, for having me here today. It’s been a pleasure to share a bit about my journey and creativity with your readers. 

You're very welcome -- that was wonderful, Sandra, and I can't wait to hear more about the exciting plans you'll be announcing! Wishing you all the best on your journey and many more literary successes! 

Readers, please support our featured authors/illustrators by following them on Twitter, requesting their book through your local library, posting reviews on Amazon and Goodreads, and of course, purchasing their books.

I hope you enjoyed this post — comments and shares are greatly appreciated. Let's spread the word! Thank you!

Connect with Sandra Sutter:
Website: www.sdsutter.com
Twitter: @sandradsutter
                                                                                    (click on the book cover to order a copy)

​​Sandra is the author of THE REAL FARMER IN THE DELL (Clear Fork Publishing, 2019), a modern, gender-bending take on the popular children's song, and STAN’S FRIGHTFUL HALLOWEEN, a spookily fun story of a clumsy, but determined young werewolf. She is a member of SCBWI and an assistant with the Children’s Book Academy. When not writing, Sandra is a mountain-biking mom and jewelry-making hobbyist with a knack for finding life's silver linings. Connect with her at www.sdsutter.com, or on Twitter @sandrasdutter. 

Welcome, Maria! It's a pleasure having you at KidLit Oasis and I am super excited about our chitchat! I can't wait to get the scoop, the behind the scene at Cardinal Rule Press, and a peek at your upcoming list! I know our readers are eager to know more about all of that, too, so let's dive in.
​
Q: Please tell us about your mission at Cardinal Rule Press and the big picture goal of your publishing house. Your website states that you focus on picture books that "empower children through meaningful stories." Could you tell us a bit more about that?

A: Here at Cardinal Rule Press, we are dedicated to producing children’s realistic fiction that reflects modern day diversity. We think stories that are timeless but allow children to see themselves within the pages of the book are needed and we are responding to help fill that void. We are a beautiful, colorful society and children should be able to experience that in books.

​Q: I know you're about to open up to unsolicited submissions (November 1st, 2020 ― February 1st, 2021) and I'm sure a lot of writers are planning to submit to Cardinal Rule Press, just waiting for the "gates" to open. Naturally, for those submitting, doing their research and following the guidelines is very important. It's also important for writers to know the publishing model of the company they are submitting to in order to make an informed decision when sending their work out. In that regard, many authors would want to know the answer to this question when it comes to smaller presses: Do you pay your authors advances against royalties or is it royalties only?

A: We do pay our authors an advance upon signing and the remainder once the manuscript is edited with our team. We also pay royalties and report twice a year on earnings to our authors.
 
Q: And speaking of submissions, just to clarify, do you accept agented submissions year-round or only within your annual submission window?

A: We accept unsolicited and agented submissions during our annual submission window. We set up our acquisitions model in this way in order to be strategic and successful in our campaign efforts. Our team has created a timeline that has allowed us to be super efficient with industry deadlines, marketing our new releases, acquiring new work and educating our new team of authors on strengthening their brands as well as hosting quarterly masterclasses with speakers for past and current authors.
 
Q: I am really impressed with Cardinal Rule Press' social media presence and the different ways you connect with the community! I'd like to go a bit deeper behind the scenes though and learn more about your marketing strategies and distribution channels? How do you support your authors and illustrators and how do you promote your titles?

A: Thank you! We are proud of the community we have built and we appreciate your kind words. Our new authors go through a six week mentorship, where we empower them with knowledge and skills to prepare their brand for a successful launch. Our team of authors with backlist titles are invited to quarterly masterclasses where we hire speakers outside of our organization to educate our team on current trends in the book industry and how we can get behind those trends to help our own brand succeed. We also create a customized marketing campaign for each author that is unique to their title. It tells them exactly what our team will be doing each month, six months leading up top their book release. It gives them suggestions on what we think they can do each month leading up to the launch as well. We try to be very clear on expectations and clear up any gray areas.

Q: How do you find and select the illustrators for your projects? Do you ask your authors for input? Once you've signed the illustrator for the book, how involved is the author throughout the illustration process? Do they see initial sketches or the finished art or something in between?
​
A: We have stopped accepting illustrator submissions and work with agencies like Advocate Art and Astound to find our creative artists. We ask authors to describe their main character and ask for input on the initial character sketch. The author also sees the artwork laid out and is asked for feedback before it goes to print. 

Q: During one of your agent interviews on your Cardinal Rules Press Facebook Page you shared that you have an assistant who filters the submissions for you to weed out the ones that don't follow the guidelines--like the fact that you only publish stories with human characters. So after the rest of the submissions -- or the ones with the strongest potential―get to you, how do you evaluate them for your list? Any more specifics on what kind of projects you look for? When you read a submission, do you know immediately if it's one you want to acquire? What grabs you in a manuscript? Any pet peeves?

A: Yes, we have a team to help with the process. There are two of us who read through and narrow down titles. We keep a spread sheet with comments. It is important for publishers and editors to be up to date on titles that are out there so we are not duplicating stories that are already out there. That is a pet peeve of mine, reading stories that have already been done. I expect writers to research their theme and title before submitting. The cover letter (inquiries) are more important than you think. We read those before opening up the manuscript. We want to hear about your experience of writing, whether or not you have a platform and why you think the book would be successful in the world. Near the end of our selection process, we share the top 6-10 stories with a BETA team of readers that give us their opinions. This team of five is made up of an editor, parent, children and a teacher.
 
Q: Could you tell us about some new or upcoming projects that you're particularly excited about and why?

A: We are in the illustration process of our Fall 2021 title and the character is a Latinx child who has a love of books! Our Spring 2021 title is at the printers and is filled with kindness, empathy and community! 

Q: Where do you see Cardinal Rule Press in five years?
 
A: I would love to bring on team members as full time staff once their children are a bit older (we have a lot of work from home mothers on our team) and in five years I would like to see us taking on more titles per year. We believe slow and steady wins the race and we have been in no hurry to increase our list just yet. Getting your standard operating procedures nailed down in a business is key, as well as timelines and workflows for marketing campaigns. I am proud of the pace we have chosen, even when sales have surpassed our predictions, we remain steady with our processes.
 
Thank you so much for your time, Maria, and for chatting with me! This was wonderful and very informative, and I am really happy that you shared all that insight with me and my readers. I'd like to wish Cardinal Rule Press the best of success and I look forward to your upcoming titles! You have our support here at KidLit Oasis and I hope you'll be visiting again in the future!

Hello readers and welcome back!

Once again, you are at KidLit Oasis ― the place to refresh your spirits, recharge your creativity, and get a literary mood boost!

Now, stretch your smiles wide and get comfy and cozy for a lovely chitchat because today we have another awesome creative on the Chitchat series... Children's author Laurel Neme is here to share some wisdom, insight, and inspiration with us! Plus, check out the DOUBLE giveaway at the end of this interview!

Welcome, Laurel! Thank you for joining us on the blog. Please briefly describe your journey to publication.

A: It IS a journey—and a long one at that—which is why seeing THE ELEPHANT’S NEW SHOE in print is so exciting for me. I started writing this manuscript in 2014—three years after I first met Nick Marx, the rescuer in this story. After many revisions and critiques, in late 2016 my agent submitted it. While Scholastic was interested, the manuscript itself didn’t connect– probably because I had gotten so bogged down in the details.

Thankfully, the editor provided me with a few examples, and that felt like an “AHA” moment for me. I ended up completely rewriting it, and this time, it DID connect.  By August 2017, we had a contract, with the wonderful Ariel Landy on board as illustrator. After that, there were some edits—first to expand the story, and later, after the illustrations came in, to fit it better on the page—which all helped to make it a better book. I’m thrilled with the final result and so happy with the folks at Scholastic, who have been a dream to work with.
 
Q: What do you find most challenging in this business, either on the creative or publishing side of things? What do you find most rewarding? What helps you stay motivated?

A: For me, the biggest challenges stem from the long time period that everything seems to take. It’s hard to wait six months or a year to get feedback on a manuscript. But any frustration or impatience disappears when a child reads my book and it connects. That’s the reward that keeps me motivated.
 
Q: Could you share any craft tools or techniques that you find most helpful to you when working on a project? What does your revision process look like?

A:  When I’m writing, I find it helpful to page out the text. Some people do this by making dummy samples, but I tend to do it in the text itself. Basically, I start the story on pages 4-5 (page 1 is the title page and 2-3 are the copyright and dedication), and then write in two-page chunks. In this way, I can get an overview of the book. I can see and compare spreads, identify where there are too many or too few words on a page, check that there’s something different to illustrate, and ensure that the action flows. It is a technique I learned from Jane Yolen at her Picture Book Boot Camp that I’ve found enormously helpful. 

As to my revision process, it’s always a long one. I often let a manuscript sit for a while and then go back to it with fresh eyes. I also always share it with several different critique groups before sending it to my agent. Then, from there, there are always more revisions!
 
Q: What's coming up for you next? Please tell us about any new releases, exciting news, upcoming events or anything else you'd like to share with our readers?

A: Virtual school visits!  While we all prefer to be in person, I love sharing stories with kids and I’m planning to do a number of virtual visits with schools and individual classrooms. Thanks to some amazing help from Kate Messner and her intensive workshop on Reimagining Virtual Visits, I’ve been reworking how I approach school visits to adapt what I do to the virtual world—hopefully in ways that take advantage of the medium and allow me to share some things that I couldn’t if I was in person.

For instance, Chhouk the elephant in my book had to be trained to allow Nick to put on and take off his boot without any anesthesia. To illustrate that process, I’m planning to show kids how I trained my dog—a super smart German shepherd—using the same techniques. Our dog loves to clean up his toys and do laundry—so, who knows?!? Maybe he’ll inspire kids to do the same.

Thank you, Laurel! This was quite interesting and it was great to learn about your path to publication, writing process, and also get some tips and insight, too! 

Dear readers, please support our featured authors/illustrators by following them on Twitter, requesting their book through your local library, posting reviews on Amazon and Goodreads, and of course, purchasing their books.

I hope you enjoyed this post! Social media shares are much appreciated. Thank you!
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Connect with Laurel Neme:
Website: www.LaurelNeme.com
Twitter: @LaurelNeme

​Laurel Neme always dreamed of helping animals. At first, she wanted to be a large animal veterinarian. Later she planned to be an animal scientist like Jane Goodall. Eventually, she decided to help animals in her own way—by telling their stories. She’s the author of ANIMAL INVESTIGATORS: How the World's First Wildlife Forensics Lab is Solving Crimes and Saving Endangered Species, ORANGUTAN HOUDINI, and THE ELEPHANT’S NEW SHOE, about an elephant with a prosthetic foot and the rescuer who saves him. She also contributes regularly to National Geographic and Mongabay.com. 

* * *
If you'd like to support my work, please consider
pre-ordering Sunday Rain 
Thank you in advance for your support! 
Pre-orders are very important for a successful book launch
​and your help is greatly appreciated :)

Hello, lovely readers!

Thank you for visiting KidLit Oasis! This is the place to refresh your spirits, recharge your creativity, and get a literary mood boost!

Now, stretch your smiles wide and get comfy and cozy for a lovely chitchat because today we have another awesome creative on the Chitchat series... Children's author Keila V. Dawson is here to share some wisdom, insight, and inspiration with us!

Plus, check out the giveaway at the end of this interview. 

Welcome, Keila! Thank you for joining us on the blog. Please briefly describe your journey to publication.

A: My road to publication was a sprint. After a friend challenged me to tick “writing a children’s book” off my bucket list, I wrote the first draft of my debut picture book, THE KING CAKE BABY, illustrated by Vernon Smith (Pelican Publishing 2015). I was fortunate to find an active local SCBWI chapter where I live who helped me revise the manuscript, encourage me to submit, and the book published two years later. As a newbie in the industry, I had no idea what I didn’t know. In retrospect, had I known what I know now about networking and book promotion, it may have been better to be the tortoise in the race. While playing catch up on creating a social media presence, taking writing craft classes, and networking with the kidlit community, I wish I would have written more stories. I submitted a companion story that passed acquisitions that is still unpublished so there’s never a guarantee even when you think you’ve jumped the highest hurdle.
 
A highlight of my journey as a writer has been working collaboratively for the past two years with Lindsay Metcalf and Jeanette Bradley on NO VOICE TOO SMALL: FOURTEEN YOUNG AMERICANS MAKING HISTORY. I am so proud of this project, especially since there were so many moving parts. And I think the support from our editor Karen Boss and the team at Charlesbridge deserve credit, too, for believing in this project and dedicating the time and resources to make it shine.
 
Having learned my lesson, I kept writing new drafts while working on NO VOICE TOO SMALL.

​Q: What do you find most challenging in this business, either on the creative or publishing side of things? What do you find most rewarding? What helps you stay motivated?
​
A: The most challenging part of book publication is the juggle. I am constantly trying to balance writing new stories with research, revision work, contributing to the kidlit community, studying the craft, and keeping up with new releases while creating content for marketing. And figuring out where to target my energy and what promotion isn’t worth the investment of time or money. Promotion works, it’s just time-consuming.
​
What keeps me motivated is uncovering stories - especially untold stories – that add to narratives often left out of history books and school curriculum. I love research, and I lean toward nonfiction. And I can easily fall down a rabbit hole because I enjoy learning about other cultures, re-learning history and discovering different perspectives on stories outside of my lived experiences. Sometimes a story grabs onto me and it won’t let go. Those are the stories I feel compelled to dedicate time to research and write. I am working on a manuscript now with the help of others outside of the U.S. and we are all committed to it because it will hopefully inspire children to consider conflict resolution without resorting to violence. 

Q: Could you share any craft tools or techniques that you find most helpful to you when working on a project? What does your revision process look like?

A: Something I learned in genealogical research is to research widely. After choosing a topic or subject, I search for academic publications and contact experts in the field to help me figure out different perspectives. With perspective, I can start thinking about the story arc and find those gems hidden in history that would resonate with kids.
​
For revision, I rely on trusted critiquers who give me their honest opinions. Again, for me, it’s all about perspective. Who’s story am I telling, why does it matter, and what do I want my readers to know?
 
Q: What's coming up for you next? Please tell us about any new releases, exciting news, upcoming events or anything else you'd like to share with our readers?
 
A: I will take part in San Francisco Public Library’s Kidquake 2020 on October 16th. And I’ll be at the virtual Buckeye Book Fair in November. Jeanette, Lindsay and I have one more virtual book launch event planned in Ohio where I live on November 14 at 11 am/EST with Cover to Cover bookstore. And it’s time to start promoting my next book, OPENING THE ROAD: Victor Hugo Green and His Green Book, illustrated by Alleanna Harris (Beaming Books, January 26, 2021).

Lindsay, Jeanette and are already engaging with kids and schools with NO VOICE TOO SMALL. We are offering access on-demand (asynchronous) and live (synchronous) visits, suitable for classroom or at-home use. There’s an Activity Guide to use with the book I created using ELA Common Core Standards and other relevant content standards. Here’s a page with links to our collection of resources including “Young Activists Speak” videos, mini writing workshops, art class with Jeanette Bradley, and the No Voice Too Small pledge and more. We’re excited that the No Voice Too Small Book Club is featured in Flipgrid’s Discovery Library.

I’ll have more book news to share soon, and I’m excited about my work in progress.

Thank you, Keila! Wishing you all the best on your journey and I look forward to your future projects.

Readers, please support our featured authors/illustrators by following them on social media, requesting their book through your local library, posting reviews on Amazon and Goodreads, and of course, purchasing their books.

I hope you enjoyed this post — comments and shares are appreciated. Thank you!

Connect with Keila V. Dawson

Website: www.keiladawson.com
Twitter: @keila_dawson
Instagram: @keilavdawson
Pinterest: pinterest.com/keiladawson/

            Keila V. Dawson                        Lindsay H. Metcalf                        Jeanette Bradley