Hello, KidLit Oasis fans, friends, and new visitors!

I am so excited to be chatting with my guest today, because I've known her for quite a while now, and we've been through a lot together, have become friends, critiques partners, and agent-sisters (again!). So, it's a real pleasure to feature her picture book debut, to celebrate her publishing-dream-come-true and to have her share her path leading up to this moment, so that her story inspires many aspiring authors out there, too. 

And without further ado....

Welcome, Emily! How awesome is it that you're here, and we get to share your book joy with the world?! You're also giving my readers the scoop and I can't wait for everyone to hear about what it's been like for you being a writer, how you got started, and what events led to the birth of this book-baby. So, please briefly describe your journey to publication.

A: My first introduction to writing came in second grade with Mrs. Lavender in Young Author’s Club. I wrote several titles like The Silly Crocdeil [sic] and captivating stories like The Wagon that are, sadly, not likely to be published. Ha! My love for writing reignited as an adult after moving to the third state in six years, and I needed an outlet. From there, I joined SCBWI (Society of Children’s Book Writers and Illustrators) to help make friends and have a hobby just for myself. Several incredible critique partners, three agents, and too-many-rejections-to-count later, my debut picture book is being published on February 22, 2023!

Q: Would you walk us through the experience of getting the news of your publishing offer? How long after submission did it happen? Were you aware that it went to acquisitions or was it a surprise? How did you get the news (email, phone call, text) and where were you/what were you doing when that happened? What was your immediate reaction? Who was the first person you shared the news with? I'm always curious about how other authors experienced this particular moment of "The News" so, please give us all the juicy details! :)

It was the most average, nothing-going-on evening. I happened to be visiting my parents, and we were sitting on the sofa with the TV on in the background while we all scrolled our devices. It's true what they say that often the most extraordinary moments often occur when we least expect them. 

An email popped up from Molly, my editor at Yeehoo Press, and I [reluctantly] opened it, thinking it would be yet another rejection. 

But it wasn't. 

My breath hitched. I stood. I mumbled, "Oh my gosh..." 

My parents and husband looked up at me, and didn't say anything, waiting for me to say what I was reading on my phone (probably it was something from a news article or social media!). 

I said, "I'm going to be published." Just like that. That simple, that still, that dream-affirming, that life-changing.

Then the tears flowed, the congratulations poured out, and it was all celebration after that!

It took about two months from when I pitched to them, and they made an offer. It was very fast for industry standards and a complete surprise! I had no idea it had gone to acquisitions.

Q: What do you find most challenging in this business, either on the creative or publishing side of things? What do you find most rewarding? What helps you stay motivated?

A: Most challenging has to be the waiting. I used to say the rejections, but rejections at least mean someone is reading and responding to what’s being written. There’s progress in rejections. But waiting for any kind of response can feel like a silent torture of sorts—is it any good? Is it garbage? Did my edits make a difference? The mind can make up all kinds of scenarios to explain the industry silence, and needless to say, we’re often our harshest critics. 😊

Most rewarding are the friendships made along the way. There’s something innately bonding powering through the sludge of rejections with others by your side and going on a journey of indescribably bad odds together. We’re tethered together when we weather the publishing storms as critique groups, agent-siblings, and overall writing besties and soldier on anyway. When one of us makes it, it motivates the rest of to not give up.

To stay motivated? I write almost every day. It doesn’t have to be a high word count, or several chapters revised. Sometimes it’s new concepts or even a stream of consciousness on walks in my Notes app. After over 25 picture books and four completed novels, I love the feeling of “having just written” as Robert Hass once described as the only tolerable state of writing. Ha! I’m not sure it’s the only tolerable part, but the act of creating something from nothing—and to know there’s power in the statement, something transformative that may connect me with a reader—is a sublime.

​Art by Albert Arrayas

Q: Could you share any craft tools or techniques that you find most helpful to you when working on a project? What does your revision process look like? 

A: When writing novels, I wish I could say I’m a “panster” meaning I write by the seat of my pants. 😊 The creative juices just flow from my fingertips, and I’m lost to the writing. But that’s not me! I’m a “plotter” meaning I outline the heck out of my stuff. I have Excel sheets with chapter outlines, plot points, character details (cars they drive, hair and eye color, personality quarks, etc.) and I’m meticulous in my outlining. Novel writing is an exercise in gradually swelling core concept, sanding down rough-edged plot points to make a well-rounded story arc.

For picture book writing, it’s about trusting your audience (those little readers who are wise beyond their years!). Instead of focusing on what I want to tell young people, I think about how I want to be a part of their experience. We’re all just young people in bigger bodies, so what are the elements of empathy in all experience that are longing to be shared? I’m always looking for those. Humor helps. 😊

My best advice for anyone looking for tips and tricks to get started or improve their craft is to read-read-read and read some more. Study it. Break it down. Reading is a masterclass in writing. There is always something you can learn from someone else who’s been there before.
 
Q: What do you consider your biggest publishing career accomplishment so far? On the flip side, what are some of the things you'd like to accomplish in the next year from now?

A: I’m proud to be a two-time, award-winning picture book writer from the Society of Children’s Book Writers and Illustrators (SCBWI) in two different writing contests I entered. It’s a tremendous privilege to be acknowledged by professionals (agents, editors, and fellow authors) who evaluate entries.

This year I was also shortlisted in the Maggie Award, the annual Romance Writers of America, Georgia Chapter contest, for the best Mainstream Fiction with a Central Romance category. I’ll be attending a Gala in October where the winner will be announced. I can’t wait!
​
My goals for the coming year include more publishing deals (obviously!) and breaking into the adult fiction market with my romance novels. I’d love to see my debut picture book, Opal’s Springtime Birdhouse, hit the bestseller lists too!

​Art by Albert Arrayas

Q: What is your vision for this book? What kind of impact do you hope it would have on readers?

A: I hope Opal’s Springtime Birdhouse, my debut coming out in February, ignites a renewed interest in woodworking and carpentry for girls. Power tools, building, craftsmanship, etc. as an angle of STEM that’s often overlooked. Somebody’s got to build the bookshelves that hold all the books! Might as well be the readers themselves. 😊
 
Q: What's coming up for you next? Please tell us about any new releases, exciting news, upcoming events or anything else you'd like to share with our readers?

A: The preorders have started for Opal’s Springtime Birdhouse, and I’m looking for author visits! My publisher, Yeehoo Press, is also creating birdhouse craft kits to go along with the book’s release for added engagement and turning reading into application. It’s been such a pleasure working with Yeehoo Press with all their expertise and engagement.
​
Hopefully I’ll get to share with you good news about my other works my agent, Jennifer Herrington, and I have on submission in the coming months. Fingers crossed!

​

About Emily


Emily Matheis is a two-time, award-winning picture book author through the Society of Children’s Book Writers and Illustrators (SCBWI) and romance writer shortlisted for the Maggie Award. She writes books for both children and adults with women and girls in intelligent, adaptable, and exemplifying roles that surpass the bounds of gender stereotypes.

Connect with Emily:

Website: www.emilymatheis.com
Instagram: @emilymatheisauthor 
TikTok: @emilymatheisauthor 
Twitter: @emilymahdice 

Steena Hernandez (a copy of the book)
Lynn McCracken (PB critique)
 C O N G R A T U L A T I O N S ! ! !

​​Welcome, Annemarie! Thank you for choosing to do your cover reveal on KidLit Oasis -- it's a pleasure to host this important milestone. Let's talk about your beautiful book before we get to to your beautiful cover...

What was the journey from idea to publication for this book?
 
Long story short, my (former) agent sent one of my manuscripts over to Little Simon (ABC, Rise Up and Be!); the editor had it for a few weeks when an offer of publication came through with a different publisher. When my agent reached out to tell the editor at Simon of the offer, the editor stepped aside as it was too similar to something they had just acquired. The editor asked my agent to keep her in mind if I had any other books for consideration- most specifically board books. I had a book titled the Wheels on the Hearse completed. It was a Halloween take on the Wheels on the Bus. I asked my agent if she would send that to Simon, and she did on July 27, 2020. In October, my agent followed up with the editor, and the editor asked for a revise and resubmit. She wanted to change the storyline from characters riding on a hearse-shaped bus to characters flying around on a broom. My agent and I worked on the manuscript with the revision notes and sent it back a week later. By now, the holiday season was happening, and things had pretty much come to a halt. In January, the editor reached out to say we were on the right track but that she had to work on format pricing because she had a creative idea for the book. It took a few more months for her to get things squared away. In March, she sent a verbal offer, and the contract took another eight weeks to arrive. I signed in May 2021.  So, from idea to contract, it took ten months.
 
How did you react when you got the news of the offer, and how did you celebrate?

I have always dreamed of publishing with a big five. I told my agent (at the time of signing with her) that my dream was to work with Simon & Schuster. Never in a million years did I think that dream would come to fruition. When I was told that Simon was signing me, I ugly cried. I called my whole family. I even emailed my boss! I messaged coworkers and friends. They probably all thought I was crazy. No one understands (unless you're a writer) how incredibly difficult it is to get in with a big publisher. After all the calls, texts, and emails, I went out for a celebratory dinner with my family. It was one of the best days of my life.
 
Can you share a fun or surprising fact about the process--whether in the writing, editing, or the illustration process?

One surprising fact is that the illustrator, Shauna Panczyszyn, also specializes in hand-lettering. She did both the illustration and the font for Monsters on the Broom.  If you notice, the story title has a pair of spooky eyes in it. I absolutely love what she's done with this book.
 
Do you have a favorite line that you could share?

The Vampire on the broom shrieks, "Voo ha ha, Voo ha ha, Voo ha ha."
The Vampire on the broom shrieks "Voo ha ha," all through the town.

The illustrations for each character are top-notch! 

Thank you, Annemarie! Wishing you many more books and "ugly cry" happy moments on your publishing journey!

And now for the big moment...

                                               TA-DA!
​

Welcome back to KidLit Oasis, everyone!

I hope you all had a great summer and that you're excited about fall. I have so many fabulous guests lined up and giveaways planned for you, I cannot wait to spread all the excitement!

I am happy to be back as the new blog season is finally here, and we're kicking it off with a fun celebration. My guest, Author Henry Herz, is stopping by to talk about his latest picture book release, I AM SMOKE. Today is extra special, too, because it's the book's birthday! Hooray! Congratulations, Henry!

Okay, I can't wait to hear what Henry has to share with us and I'm ready to get the scoop on this book which is already making a splash. 

So, let's get started...

Welcome, Henry Herz! Thank you for joining us on the blog. Please briefly describe your journey to publication. 

A: Years ago, I wanted to share my love of fantasy with my young sons. They were too little for watching most of the fantasy movies. Struck by inspiration one day, I came up with a way to share the joy of entering the magical realms of fantasy. I would write a fantasy book for them. That decision had two unintended consequences.

First, I did not anticipate was that my boys would give me feedback on the story.  They devised some of the character and creature names, and made plot line suggestions.  And who better to help make the story appealing to kids than other kids?  So, the goal of interesting my sons in fantasy transformed into also encouraging them to write.

Second, I discovered how much I loved writing for kids. We ended up self-publishing that book. I was hooked. I joined SCBWI, joined a critique group, and kept honing my writing until I sold my first picture book, MONSTER GOOSE NURSERY RHYMES to a traditional publisher, Pelican. I kept at at and continue working on my writing skills. I AM SMOKE will be my tenth traditionally published picture book. In the last couple of years, I have written two middle-grade novels (on submission) and a number of adult short stories in the fantasy, science fiction, and even horror genres.

Q: What do you find most challenging in this business, either on the creative or publishing side of things? What do you find most rewarding? What helps you stay motivated?

A: I suppose it's a tie between the pain of waiting and the agony of rejection. Those of you who are not authors may not be aware that authors endure a potentially soul-crushing amount of rejections. Even short stories and books eventually bought by a publisher may suffer multiple rejections from other publishers first. Authors must develop a thick skin and recognize that a rejection is not necessarily a critique of their writing. A publisher may decline a manuscript because they already have something like it, or the topic is not suitable for their current needs, or they don't feel there's sufficient market potential.

Waiting to hear back is another challenge of being a writer. Whether you're submitting directly to a publisher, or querying an agent, you can be facing a wait of weeks, months, or even years. Yes, I once got a rejection years later, after I'd already sold that manuscript (and a second one) to another publisher. Waiting is an unavoidable part of the game. The trick is to distract yourself by staying busy—write more stories or novels in the mean time.

As for what is most rewarding, it's a three-way tie—this time between the thrill of getting a signed contract from a publisher, seeing a illustrator bring my story to life, and receiving artwork drawn by young children inspired by my book. We don't do this for fame and fortune. We do this to bring smiles to kids' faces and to inspire them.

Q: Could you share any craft tools or techniques that you find most helpful to you when working on a project? What does your revision process look like? 

A: For writing novels, there are two resources I really find helpful. SAVE THE CAT WRITES A NOVEL by Jess Brody is a novel-centric adaptation of the screenplay-focused original, SAVE THE CAT by Blake Snyder. Jess analyzed how the beats of successful novels are organized. Her book provides a template, a starting point, which was invaluable when I had never before written a novel. It helps you create an engaging story arc, with good pacing and tension.

Another excellent resource for writers is WRITING THE BREAKOUT NOVEL HANDBOOK by Donald Maass. It asks the author a number of questions to help you flesh out and better understand your own characters.

My revision process is straightforward. I share my first draft with a critique group, consider their feedback, and update my manuscript based on which advice I choose to take. Once the manuscript has been run through the “meat grinder” of one or two critique groups, then I share it with beta readers to get their perspectives. Outside pairs of eyes are so valuable, because the author unavoidably has blinds spots. What is clear to us may not be obvious to most readers. What is funny to us may not work for readers. The process is akin to sculpting. We go over our manuscript again and again, striving to create an engaging story arc featuring characters who feel real and fully fleshed out. The dialog, thoughts, and actions of the characters as they face challenges and transform in a meaningful way must evoke emotion that drives the reader to keep turning pages.

Q: What's coming up for you next? Please tell us about any new releases, exciting news, upcoming events or anything else you'd like to share with our readers?

A: My creative nonfiction picture book from Tilbury House, I AM SMOKE, launched September 14, 2021. Upcoming events and book launches include:

-Moderating a DragonCon panel with actors from Netflix's Norsemen series.

-Launching my contemporary magical realism early chapter book, THE MAGIC SPATULA from Month9 Books.

-The middle-grade #ownvoices anthology from Albert Whitman & Co., COMING OF AGE: 13 B'NAI MITZVAH STORIES, will feature my sci-fi/humor short story, Bar Mitzvah on Planet Latke.

-The adult horror anthology from the Denver Horror Collective, THE JEWISH BOOK OF HORROR, will feature my short story, Demon Hunter Vashti.

-The young adult horror anthology from Blackstone Publishing, THE HITHERTO SECRET EXPERIMENTS OF MARIE CURIE, will feature my short story, Cheating Death.

-Highlights for Children has purchased two of my stories, but I don't know when those will come out. See topic of patience above.

Thank you so much, Henry -- it was a pleasure to have you as my guest! Best of luck on your journey, congrats again on all of your success,  and I look forward to your future projects!

Readers, please support our featured authors/illustrators by following them on Twitter, requesting their book through your local library, posting reviews on Amazon and Goodreads, and of course, purchasing their books.

I hope you enjoyed this interview — join in the celebration and leave us a comment.  Social media shares are greatly appreciated. Thank you!
​-------------------------------------------------------------------------------------------------------------
Connect with Henry Herz:

Website: https://www.henryherz.com 
Twitter: @HenryLHerz 
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                                               To purchase IAM SMOKE click on the book cover

Henry authored 11 traditionally published books for children: MONSTER GOOSE NURSERY RHYMES, WHEN YOU GIVE AN IMP A PENNY, MABEL & THE QUEEN OF DREAMS, LITTLE RED CUTTLEFISH, CAP'N REX & HIS CLEVER CREW, HOW THE SQUID GOT TWO LONG ARMS, ALICE'S MAGIC GARDEN, GOOD EGG AND BAD APPLE, 2 PIRATES + 1 ROBOT, THE MAGIC SPATULA, and I AM SMOKE.
​
Henry Herz authored over 25 traditionally published short stories, including for Daily Science Fiction, Blackstone Publishing, Albert Whitman & Co., Highlights for Children, and Ladybug Magazine. He edited three anthologies: BEYOND THE PALE, COMING OF AGE (Albert Whitman & Co., MG #ownvoices), and THE HITHERTO SECRET EXPERIMENTS OF MARIE CURIE (Blackstone Publishing, YA horror).

Welcome, Annemarie! Thank you for joining us on the blog. Please briefly describe your journey to publication.
​
A: Thanks for having me! My road to publication began in April 2016 when I decided to write my first-ever children's book. Little did I know that my attempt would quickly become my first published work. I was teaching first grade at the time, and I was having a bit of difficulty finding lesser-known folktales to read aloud to my students. Every time I pulled out a book, I was met with, "We read that last year." So, in my quest to find new material, I poured over anthologies from the early 1900s that contained dozens of folktales and fairytales (my aunt handed down her collection to me). As I was thumbing through them, I came across the original version of How the Finch Got Her Colors and decided to put my spin on it. That was how my book How the Finch Got His Colors was born.
​
After I wrote it, I joined SCBWI, and that is where I met my dear friend Sarah who graciously mentored me through the whole publishing process. Sarah helped me edit Finch, craft my query letter and marketing plan, and get everything ready for submission.
After everything was set, I began to research houses that were open to unsolicited manuscripts (I did not have an agent at the time). I scoured the internet and the SCBWI PAL list and wrote down all the publishers I felt would be a good fit for my story. I started out small by sending Finch to just six houses. I wanted to see the kind of feedback I would receive before subbing more widely.  To my surprise, by June 16th, just two months after I subbed it, I received four offers of publication! Since I did not have an agent at the time, I hired a lawyer to go through each contract with me. We ended up signing with Familius, and the rest is history! My story is not the norm―lightning in a bottle, really. I know that people spend many years in the trenches. I feel really blessed.
​
Yes, my first shot was a lucky one. I know that. But that’s not to say my path has not had its challenges, too. I have had my fair share of rejections. I have had my first agent quit the business. I have made it all the way to acquisitions several times, only to be turned down at the last minute. But you can't let the bumps along the way deter you. If we choose to give up and not persevere, our books will never make it out there.  So, keep on striving. The world needs to hear your story.

Q: What do you find most challenging in this business, either on the creative or publishing side of things? What do you find most rewarding? What helps you stay motivated?

A: The most challenging thing about this business is the wait time. It can take months (up to a year) to hear back on a submission you’ve made. I think the other thing about this business that can be a challenge is when you don’t hear back at all. That can be disheartening.
​
The flip side to this question is the reward that you get when you do hear that YES. There is nothing like knowing that your written word will be out in the world, touching the hearts and minds of young children. It’s a pretty amazing feeling, and that is what keeps me motivated. It never gets old.

Q: Could you share any craft tools or techniques that you find most helpful to you when working on a project? What does your revision process look like? 
​
A: This may sound very basic, but when I used to teach writing (former elementary teacher), I always had my students fill out a story map prior to crafting their stories. The story map is a simple sheet of paper where one plans out the characters, setting, problem, plot events, and resolution parts of a story.  I have a similar template on my computer and use that to jot notes for each picture book. Once I have that set, I begin to craft my story. I will say, though, even with that structure in place, my writing doesn’t always go according to plan.  This is why it’s crucial to have critique partners. Sometimes I get so focused on creating a solid beginning and ending that my plot falls entirely flat. My critique partners are vital in helping me to identify the weak spots in my story and tighten them up.
 
In terms of the revision process, sometimes it is easy―a tweak here or there, and sometimes it’s a beast. I have one story sitting in my WIP box that has been there for almost two years! I just can’t seem to get it right, and that’s ok. It will happen when the time is right. With stories that work off the bat, I take notes from my critique partners, agent, editor, etc., and let their words soak in. If they resonate, I make the necessary changes. It really depends on the feedback that I receive. 

Q: What's coming up for you next? Please tell us about any new releases, exciting news, upcoming events, or anything else you'd like to share with our readers?
​
A: I have so many forthcoming projects. I have 6 books releasing in the next 3 years, and I hope even more than that!

Forthcoming:

1. Thundermaestro (Familius, Spring 2022)
2. Finding Mr. Trunks (Familius, Fall 2022)
3. A deal that I can’t announce just yet… LOL (Coming Summer 2022)
4. 123 Counting on Community (Familius, 2023)
5. Monsters Hide and Seek (Familius, 2024)
6. Turn on the Night (Hurn Pub Kids, 2024)
 
And many more projects in various stages in publishing. 

Wow! Congratulations on all your success, Annemarie, I'm so happy for you and glad that we're on this journey together! I can't wait for all of your upcoming books, and I know there will be many, many more! 

Readers, please support our featured authors/illustrators by following them on Twitter, requesting their book through your local library, posting reviews on Amazon and Goodreads, and of course, purchasing their books.

I hope you enjoyed this post — social media shares are appreciated. Thank you!

Hello, everyone!

This week, I am so excited to welcome an author and editor team to KidLit Oasis! Nicholas Solis and his editor at Sleeping Bear Press, Sarah Rockett, will give us the inside scoop of their collaboration on The Color Collector, the behind-the-scenes details from submission to acquisition and beyond, plus much more!

But that's not all! Sleeping Bear Press is also kindly giving away a copy of the book to one of my blog readers -- check out the details at the end of the interview.  

And now, without further ado, here are Nick and Sarah! Thank you both for being on KidLit Oasis and for sharing this wonderful book with my readers! Let me start with my first question to Nick...

1. Nick, please tell us about the journey of publication for The Color Collector -- from the inspiration for the story and writing the first draft to how it ended up on Sarah's desk. I love hearing about the story behind the story and my readers do, too!

My inspiration for The Color Collector was a piece of art that was hanging up at The Austin Art Garage in Austin, TX. It had a lonely little girl, with the saddest eyes I had ever seen, catching falling leaves and placing them in a knapsack. The painting stuck with me for days and I just kept wondering about why she was so sad. I wrote several rough drafts, but none of them felt right. Then one night I woke up at two in the morning with the entire story. I quickly wrote it down before I forgot it. It was much sparser than the original drafts, but the text felt like it fit the lonely little girl with the sad eyes. I continued to work on the draft over the next few years, and started taking classes at The Writing Barn, where I was able to edit it with the help of the fantastic authors who taught there.
​
In 2018, I was at the International Literacy Association Conference where I started talking to Sarah about books. We traded contacts and I sent in some of my stories to Sleeping Bear Press, and she liked The Color Collector!!!  
 
2. Sarah, please guide us through your thoughts and the process from when you first read The Color Collector to acquiring the story. What made you fall in love with it? What stood out?
​
Meeting Nick at the ILA conference was such a joy! I could tell how passionate he is about his students and writing for kids—I knew he would be a wonderful author. Nick ended up submitting a handful of manuscripts to us. They all had a ton of potential, and most were really funny, but Color Collector felt really intentional and soulful. The themes of finding beauty in the discarded and being a friend felt really timely. There were so many directions a reader could go with the story. And it had such amazing illustration potential. Luckily, our acquisition team agreed and we were able to sign the project!

3. Nick, how different is the final, published story from the draft that Sarah saw?
​
It’s pretty similar to the draft that Sarah saw. Sarah has a fantastic eye for editing, and she helped me really tighten up the story. But overall, it was just losing a word or phrase here or there. We did lose one page of text, but that was replaced with the amazing illustrations of Renia Metallinou!
 
4. Sarah, what was the revision process like after acquisitions?

Nick is right. Not a ton changed with the manuscript in the revision process. But when you’re working with a picture book manuscript—and especially one like Color Collector that is lyrical in nature and already has a tight word count—every single word and punctuation mark is really important. We made a handful of word choice and style edits, but not much more than that. Nick was collaborative and flexible as we worked on the story. It was a great partnership!

​5.  Nick, what surprised you the most in the journey of this book?

The thing that surprised me most was the editing process. This is the first book that I ever worked with an editor on. I wasn’t exactly sure how it would go. When you sell a book, you’re just happy to get it out there and you’ll pretty much agree to anything. But you struggle with questions like, “What if they change my entire book?” or “What if they get rid of a part that I really love?” But when Sara came back with edits, I thought they were all really great suggestions.
One thing that I absolutely appreciated was when I asked Sarah if we could change the characteristics of the narrator and she enthusiastically agreed. I wanted someone who looked more like me. I’m Mexican-American and I’m trying to push for more representation in the books I create. Sarah and Sleeping Bear Press were on board without question. We gave the boy character tan skin and dark hair like mine and many of the students I teach. I love that they can see themselves inside this book.   
 
6. Sarah, please tell us how the illustrator was chosen and how the selection process works at Sleeping Bear Press. What was your vision for the art and who were the people involved in the decision? Are authors asked for input?
​
The illustrator selection process is really a team effort at Sleeping Bear. I always ask the author for input on what they see as the style for the book. And then the art director and I talk about what we see working and narrow down a list of choices. Sometimes we all see something different for a particular story, but in this case I think we all wanted to see something creative with dramatic colors. Our art director is wonderful and always guides this process in the right direction. She has a knack for seeing artist portfolios and knowing how they might be able to use their style to make the book shine. And then our authors are looped in for notes throughout the sketch and final art process. The illustration process can be stressful for authors. It’s like sending your kid to sleepaway camp or daycare for the first time! But this is the author’s story and we want them to love the book 100%.

7. Nick, what do you hope readers will take away from the story and what do you believe would resonate with them? How do you envision young kids connecting to your characters?
​
The main thing I would love readers to take away from this book is that even a small act of kindness can make a huge difference. The narrator is curious about what Violet does with all of the things she collects. He basically asks her a question and then just listens. That’s it. But that small act of kindness made a huge difference in her life. My parents divorced when I was young, so I had to move schools in the middle of the year. I had no friends and no one to talk to. I was absolutely miserable. But one day in class a kid named Dylan said hi to me. We talked for a bit and I met some of his friends. That small interaction changed the course of my entire life. I was a shy, introverted kid. But as the school year progressed, I came out of my shell. I made more and more friends. I later became a teacher that used my story to help spread kindness throughout my classroom. And now I am a writer with a book hoping to spread that message to a wider audience. It all happened with a simple, “Hi.” But it completely changed my life. I hope the readers will do the same for someone else they meet along the way. 
                                                                                  * * * 

​Nicholas Solis is an award-winning elementary teacher and author. In 2018, he was the recipient of the Walter Dean Myers Grant from We Need Diverse Books. Growing up, he didn’t have a lot of friends. He moved around a lot and being the new kid at school wasn’t always easy. But in junior high, one kid reached out and was simply nice to him. That gesture of friendship has shaped Nicholas’s entire life. He regularly brings up that story with his students in the hopes of motivating them to reach out to others whenever they can. He lives with his wife, Morgan, their dog, Charlie, and their amazing son, Leo, in Austin, Texas. Learn more about Nicholas at nicholassolis.com

​​Sarah Rockett has been working in the children's publishing industry for more than a decade and truly believes that picture books have the power to change the world. She loves traveling, spending time outdoors, and--of course--reading. She lives in Michigan with her husband, young son, and lazy cocker spaniel.

Happy Tuesday, everyone!

This week, my guest on KidLit Oasis is author and illustrator Amanda Davis, and I can't wait to hear more about her journey as a writer that led to the release of her debut, 30,000 STITCHES. Plus, a chance for you to win a copy of the book!

Welcome, Amanda! Thank you for joining us on the blog. Please briefly describe your journey to publication.

A: Hi Rosie, thanks so much for having me on the blog! I’m excited to be here to celebrate 30,000 STITCHES together! My love for art and writing stems back to my childhood. My father passed away when I was twelve, and I turned to art and writing to cope and process my emotions. This is what led me to teach art and later write and illustrate children’s books. I want to show kids the power in our stories-whether through writing, reading or visual art. In 2012, I took a continuing education course at the School of the Museum of Fine Arts, Boston called, Illustrating Children’s Books, with illustrator, Ilse Plume. This course was eye opening for me and kick-started my career in kidlit. I realized that children’s books combine all three of my passions: art, writing, and stories. After completing that course, I dove headfirst into the craft of writing and illustrating for children (while balancing my job as a full-time high school teacher). I joined SCBWI, 12x12, and found a local and online critique group. I tried to soak in all the knowledge I could about the kidlit industry. I began to query literary agents and editors with a few of my stories. Looking back, I probably queried those stories too early, but hey, that’s part of the learning process. The story that finally landed me an agent and later a deal is my debut creative nonfiction picture book titled 30,000 STITCHES: THE INSPIRING STORY OF THE NATIONAL 9/11 FLAG, illustrated by the amazing Sally Wern Comport and due out with WorthyKids/Hachette Book Group on May 4th.

I first learned about the story back in 2011 when I facilitated an art lesson around the story of the flag with my art students for the tenth remembrance of 9/11. The story lingered in my head, but needed time to flourish. Later, after visiting the National September 11 Memorial & Museum in 2014 and being overcome with emotion at the artifacts and the stories, it was a reminder of the importance of telling this story of the flag.So, I decided to try my hand at crafting a manuscript for it. I have a background in journalism, so it was a delight getting to research and interview primary sources for the story. From the Ground Zero Superintendent to Flag Tour Staff, the people who I spoke to about the flag, were incredible. Once I had the story polished up, which was many months later, I began to query agents and editors. The process of landing an agent and book deal was filled with ups and downs. I had many passes along the way but most were positive and many had personalized feedback, so I knew I was on the right track.  I even got a few requests to revise and resubmit. I submitted to WorthyKids by snail mail through the slush pile and after many months of not hearing back, I took that as a pass.

I continued to query the story and later, connected with agent, Melissa Richeson who signed me for the project. Seven months later, an assistant editor from WorthyKids contacted me to ask if the story was still available. Of course, I said a big and enthusiastic YES, connected her with Melissa. The rest is history!

Long story short, it took me about nine years to get my first picture book traditionally published! It can be a long and winding road to get there, but if you keep pressing ahead, you are bound to meet your destination.

Q: What do you find most challenging in this business, either on the creative or publishing side of things? What do you find most rewarding? What helps you stay motivated?

A: Oooh, good question! There are many, ha! I think one of the biggest and most consistent challenges has been getting varying feedback from agents and editors when querying them with my stories-especially with nonfiction. As with any art, writing and illustrating are subjective. Each agent or editor has particular tastes and will have different opinions on how to make your story stronger (or you get little feedback at all). For example, when querying 30,000 STITCHES, some agents and editors wanted to see more of the factual information from the back matter directly in the text while others wanted to keep it more sparse. It’s hard to wade through these reactions and know exactly what to do. I remember putting so much pressure on myself to get the revisions right and thinking “this is my one chance!” In the end, many of those revisions didn’t end up landing me a deal but did lead me to a version of the story that sold to WorthyKids.  I think so much of what we do as creators is about taking risks, following our gut, crossing our fingers, and hoping for the best. On the business side of things, often times there are many factors that are out of our control, which can be also frustrating. For example, maybe a particular editor just recently acquired a similar story so they pass on yours, or perhaps their profit and loss statement doesn’t fall in your favor, or maybe they’re looking for very specific stories to balance out theirtheir list. Each of these scenarios has happened to me. So, with so many unknowns, all we can do is keep writing, revising, and lean into our critique groups and, loved ones for support. We must continue to remind ourselves to find the joy in creating and know that the more stories we write and illustrate, the better our chances will be that one will resonate strongly with an agent or editor. Most importantly, children need our stories. And, for me, if positive thinking and self-talk aren’t doing the trick, I turn to my rescue pup, Cora for comfort. She’s always willing to lend a listening ear. :)

Q: Could you share any craft tools or techniques that you find most helpful to you when working on a project? What does your revision process look like? 
​
A: My revision process for my writing is much like my revision process for my art. Many versions, and much research. My first drafts for my writing are like my rough sketches for my illustrations-loose and organic. As I get feedback, I begin to revise and the images and words get more refined. I thought it might be fun to take a look at revision from the illustration side so I included a few examples from the illustrations I recently did for The Writer’s Loft, Friends and Anemones: Ocean Poems for Children anthology. Before even putting pencil to paper, I had to do a lot of research on the creatures of the deep sea such as, vampire squids, angler fish, and sea pens. Finally, once I had a solid idea of what the creatures looked like, I put pencil to paper and completed a rough sketch.  Same thing for my narwhal illustration. You can see the different versions and how the images evolved. With the narwhal illustration, the original poem started off sad but then the author was asked by the editors to brighten the mood, which in turn shifted my dark and dreary illustration. I had to flex and mold my image to fit the cheery new poem, which meant a brighter color palette to create a joyful mood and revising the expressions and positioning of the narwhal characters. When writing, my revision process tends to be the same, it’s important to stay open and loose with first drafts, not get too attached to any version, and of course, leave room for the illustrations. 

Q: What's coming up for you next? Please tell us about any new releases, exciting news, upcoming events or anything else you'd like to share with our readers?

A: Yes! Tonight is my first launch event at The Silver Unicorn Bookstore! I’m super pumped to be in conversation with members of the flag tour staff as we discuss their role with the flag and reflect on the upcoming 20th remembrance of 9/11.

You can register for the event HERE! If you register, you’ll be entered for a chance to win a five-pack of lovely notecards featuring art by Sally Wern Comport from the book. The winner will be announced at the end of the event and must be in attendance to win. I hope you all can join us!!

​30,000 STITCHES celebrations continue throughout the month! The complete schedule can be found HERE or see below for the full list. Allevents are virtual, FREE and open to all! Follow along my virtual blog tour for more giveaways and interviews as well! It’s been such a blast chatting with you, Rosie. Thanks again for having me, and best of luck on your own creative projects!! Cheers!

​Amanda Davis is a teacher, artist, writer, and innovator who uses her words and pictures to light up the world with kindness. Amanda is the author of 30,000 STITCHES: THE INSPIRING STORY OF THE NATIONAL 9/11 FLAG and has poetry and illustrations featured in The Writers’ Loft Anthology, FRIENDS AND ANEMONES: OCEAN POEMS FOR CHILDREN. When she’s not busy creating, you can find her sipping tea, petting dogs, and exploring the natural wonders of The Bay State with her partner and her rescue pup, Cora. 

​Welcome back to the Oasis!

Oh, do I have a double treat for you this week! Two awesome authors are chatting about their new books, sharing the ideas that prompted them to write those stories, what's hidden in the illustrations of one of the books, and talk about their collaborations with their illustrators plus much more! 

Ready to dive in? Here are Chana and Kathy in conversation. . .

Kathy Doherty: LET LIBERTY RISE! HOW AMERICA’S SCHOOLCHILDREN HELPED SAVE THE STATUE OF LIBERTY has received wonderful write-ups from Kirkus Reviews and Publishers Weekly...and a starred reviewed from School Library Journal. How did you get the idea to write this story?
 
Chana Stiefel: Thanks so much Kathy. As authors we are trained to keep our eyes and ears open for a good story. And to paraphrase Elizabeth Gilbert in Big Magic, when inspiration comes, you need to grab it by the tail and hang on to it before it runs away. In 2014, I invited my author friends Jackie Glasthal and Sue Macy to my home for Friday night dinner. Jackie shared that she had published a middle grade novel called Liberty on 23rd Street. The setting for that book is lower Manhattan in the late 1800s, when the Statue of Liberty was under construction. Jackie shared this little-known slice of history—that children contributed their hard-earned pennies to the pedestal fund to build the statue. Hearing that story, I knew that it had to become a picture book. After years of research, writing, and revising, it’s finally here! 

Congrats to you, Kathy, on the launch of THE THINGITY-JIG, which has received starred reviews from Kirkus and Foreword Reviews! How did you dream up this delightful story about a bear that discovers a fun, springy thing, but needs his friends to help haul it home?
 
KD: Chana, all your hard work paid off!...And thank you for your kind words about my book. As an author I love to play “what if.” So when I saw a discarded couch in my neighborhood, I wondered what if a bear cub found it...and what if he wanted to take it back to the forest and jump on it with his friends. I used intertextuality to combine aspects of the folktale The Little Red Hen and my own ideas to tell a brand new story.

Chana, your book’s illustrations are fabulous. Did you have any input in choosing the illustrator or in the art itself? And what do you like best about the illustrations?
 
CS: Thank you, Kathy! Scholastic chose Chuck Groenink as the illustrator, and I couldn’t be happier. I love the sweet faces of all of the children and the clothing of the time period. He did lots of research to capture Manhattan in the late 1800s, including the buildings, the ships, the printing press, and the red mailbox. He also hid two famous paintings from the late 1800s within the illustrations. (See if you can find them!) And there’s a lovely golden copper hue that shines throughout the book, which emanates from the Statue of Liberty’s original copper color. 

Your book also has a beautiful glow, Kathy! What was your reaction when you first saw Kristyna Litten’s illustrations? Were you able to give feedback during the process? What is your favorite spread and why?
 
KD: It was love at first sight! Kristyna’s illustrations were as whimsical as my text. I only gave a minor suggestion or two along the way. I wanted Kristyna to have free range. The spread I love most is when Bear starts bouncing on the couch for the first time. Bingity! Bing! Boing!

CS: There were so many surprises! First was the realization that although France sent America this glorious gift, America didn’t want her. Some people said they should send her back to France! Can you imagine? I was also surprised to learn about the many fundraisers to build the pedestal. Pulitzer’s campaign was the first crowd-sourcing campaign. He said that if anyone sent a penny for the pedestal, he would print their name in his newspaper. Other fundraisers included an art auction, which included Emma Lazarus’s infamous poem, “The New Colossus.” In addition, people could pay to take a ferry to Bedloe’s Island and see the statue in crates, or they could purchase a small model. In 1876, at the Centennial Exhibition in Philadelphia, Liberty’s arm was on display. People could pay 50 cents to climb up to the torch. Many of these details didn’t make it into the text but can be found in the backmatter. 
​
What were some of the challenges in writing your story? Did you go through many revisions? What’s one takeaway you learned from the writing process?​

Besides learning about history, what do you hope kids will take away from your book?
 
CS: The major theme of the book is that when we work together, we can accomplish great things that have a lasting impact. One little girl sent in 60 cents. She wrote, “I wish I could make it $60,000, but drops make an ocean.” I hope kids (and adults) learn that even though we sometimes feel powerless, every little bit helps. Every contribution and action, no matter how small, can make a big difference.

I love the way Bear sees the world (and the cast-off sofa) differently from others. Beyond the giggles, what are some takeaways from THE THING-ITY JIG?
 
KD: I’d love kids to realize they can do hard things...and that they should never give up. I’d like to encourage them to find a way to make it happen. Good things happen to those who don’t give up.

When did you see the Statue of Liberty for the first time, and what were your thoughts?
 
CS: I have a vague memory of visiting the Statue of Liberty as a child. I grew up in Miami, so we probably visited the statue when we came up to New York to visit cousins. I have a much greater appreciation for it as an adult—from the perspective of understanding how my three immigrant grandparents arrived here, knowing what a colossal project the building was, admiring the engineering feat, and loving the story of children contributing to the pedestal. Now that I’ve written LET LIBERTY RISE, I see the Statue of Liberty everywhere. (Check out the trailer that my daughter made for me! https://youtu.be/ZNlN3eWEUnE) She’s such an icon!
 
Has writing THE THING-ITY JIG changed the way you look at found objects? How so?
 
KD: Yes! I wonder if there’s a story there. I’m always looking for writing ideas.
 
What’s next for you?
 
My editor has challenged me to write a story in which one of Bear’s friends goes into people town and finds something dazzling. I’ve only written a rough draft, so the story hasn’t taken shape yet.
 
CS: Awesome! Good Luck!
 
Thanks, Rosie, for featuring our new books!

​You're very welcome! These questions were fantastic and I learned so much fun and interesting tidbits-- I know my readers will enjoy this chitchat a lot! What a pleasure to have you both as my guests! I hope you'll be back in the future to share your upcoming projects with us, too. 

Readers, please support our featured authors/illustrators by following them on Twitter, requesting their book through your local library, posting reviews on Amazon and Goodreads, and of course, purchasing their books.
​
I hope you enjoyed this post — comments and shares are appreciated. Thank you!

Chana Stiefel is the author of more than 25 books for kids. She hails from sunny South Florida and now lives in New Jersey, just a ferry ride away from the Statue of Liberty. Chana loves visiting schools and libraries as well as sharing her passion for reading and writing with children. She earned a master's degree in Science, Health, and Environmental Reporting from New York University. To learn more, visit Chana at chanastiefel.com.
Twitter: https://twitter.com/chanastiefel

Hello, wonderful readers!

New week, new interview, and new. . . logo design! Yay! I hope you like it and that it instantly gets you in a lovely literary mood.

So, let's give a warm welcome to our guest author and dear friend, Ellen Leventhal--I can't wait to chat with her about her writing career, her latest and upcoming projects, and also to hear her best revision tips. Check out the giveaway at the end, too!

Welcome, Ellen! Thank you for joining us on the blog. Please briefly describe your journey to publication.

A: My road to publication has been a bit different than some, but like many people, I’ve had lots of twists, bumps, and bruises. My first book, DON’T EAT THE BLUEBONNETS, written with Ellen Rothberg, was originally published with a very small local press due to winning a contest! Unfortunately, after a few printings (Yay!), that press decided not to do picture books anymore (Boo!) Eventually, another publisher picked it up, we revised it, and marketed it as a “Ten Year Anniversary” edition. My next book, LOLA CAN’T LEAP released a year later. There was a LOT of revision with that piece after I signed the contract, and although it was frustrating at times, I do love how it turned out. Revision at all stages is part of the process. All the while, I submitted and collected rejections. In 2019 I signed with a wonderful project by project agent who sold my upcoming book, A FLOOD OF KINDNESS in six months. I signed with WorthyKids/Hachette Book Group in 2019, and it will hit store shelves on April 13, 2021. Keeping it real, I still do the dance of write- revise- submit- read rejections-eat chocolate- do it all over. I get pages and pages of rejections, but I have learned to have a bit thicker skin. It’s not fun to get rejections, but again, it’s part of the process. I think the key to staying in the game is to think of it like riding a wave, and you never know what’s coming next. I have lots of stories that were never published. Perhaps I’ll try again. Who knows? My next release (a few years down the road) is a result of one editor liking my writing, but not the way I told  the story and another editor loving the way I told  the story. She signed me. This is a very subjective business! You never know! So, my road to publication? I’m still on it, and it’s still bumpy, but it’s where I want to be.
 
Q: What do you find most challenging in this business, either on the creative or publishing side of things? What do you find most rewarding? What helps you stay motivated?

A: Creatively, when writing picture books, it’s a challenge for me to stay on one subject! I have so much to say! But I know now that I will work that out in revisions.

The publishing side of things is more difficult for me, and yet it’s not difficult at all since I have no control there. I like control! And The waiting…AKK! Waiting to hear if your manuscript is accepted. Waiting to sign a contract. Waiting for publication. People are always so surprised when they hear about publishing timelines. Marketing is also hard for me! No matter the size of your publisher, much of the marketing falls on the author. I am currently in a very collaborative relationship with the marketing gurus at WorthyKids, which is great, and I am thankful for that. Still, promoting my own work is uncomfortable for me. But again, it’s part of the whole deal, and I love the whole deal! I do enjoy speaking in front of kids and even adults, which is sort of marketing, but I don’t feel like I am pushing my book when I do that.

What helps me stay motivated? That’s an easy one. The love of writing and the love of connecting with people in the KidLit community. Without my critique groups and writer friends, I would have given up a long time ago.

Q: Could you share any craft tools or techniques that you find most helpful to you when working on a project? What does your revision process look like? 

A: There are a lot of tools in my toolbox, and most of them are things I’ve picked up from other people. One thing I’ve learned  to do is let my mind flow for the first draft. As a serial reviser this was hard for me for a long time, but I’ve found it helps. I start with an idea, but sometimes during the first draft, my idea changes and becomes something better. (Or sometimes it morphs into something worse, and that’s where my friend “revision” comes in.) Another little thing I do is something I learned from a critique partner. I try to get rid of as many “to be” verbs. Wherever I see one (“She was amazed!”), I circle the weak verb and change the sentence to something active. As far my revision process, as I said, I am a serial reviser. The problem is that I never know when to end! (That’s NOT a good thing). The first few revisions begin to tell me what I need to do story wise. I take a lot of what my critique groups say and decide what I want to incorporate into my story.(Thank you, Rosie Pova for giving me some great ideas over the years!) I think of revision as putting my story into a sieve. I shake out what doesn’t belong. Then, once I am pretty sure what I want to say after the first few drafts, I sometimes use the “Hamburger” method that I teach my writing students. As part of revision I need to make sure I still have a good story structure and that I didn’t chop too much. I check to make sure I have a really yummy top of a bun (Hook or intro). I add delicious condiments, etc. to the burger (middle) to make it “tasty.” This is where I’ll double check to make sure I have things like tension and emotion. And as with all great sandwiches, I can’t forget the bottom bun (strong conclusion). Without that, everything falls apart. I spend a lot of time trying to make my ending as exciting as the beginning. And then I do all of that over and over. And over. Please stop me! (I really have a problem.)

Q: What's coming up for you next? Please tell us about any new releases, exciting news, upcoming events or anything else you'd like to share with our readers?

A: I’m excited that although the actual Book Birthday for A FLOOD OF KINDNESS is April 13, my virtual launch is on April 24. My illustrator, Blythe Russo will be presenting with me. Here is a link to the launch. https://www.brazosbookstore.com/event/virtual-ellen-leventhal-flood-kindness

I also have a new book in the pipeline, but it won’t be out until 2023, so all I can say now is it was out of my comfort zone, but it’s something I’ve wanted to do for years!

Thanks so much for having me here, Rosie and for the great questions. 

Thank you, Ellen, for this wonderful insight into your writing world, your work, and your process! I hear you -- sometimes it's hard to stop revising, and other times, we want to be done, but we know there's more work needed to be put into a piece... Writer's life! ;) Eventually, we figure it out, and our critique groups are invaluable indeed!

Please come come again to KidLit Oasis -- I can't wait to celebrate with you that 2023 project in the pipeline and many more to come!

Readers, please support our featured authors/illustrators by following them on Twitter, requesting their book through your local library, posting reviews on Amazon and Goodreads, and of course, purchasing their books.

I hope you enjoyed this post — comments and shares are appreciated. Thank you!

Hello, wonderful readers!

Welcome back to KidLit Oasis ― the place to refresh your spirits, recharge your creativity, and get a literary mood boost!

Now, stretch your smiles wide and get comfy and cozy, because today we have another awesome creative on the Chitchat series... children's author Karla Valenti is here to share some wisdom, insight, and inspiration with us! Plus, she's giving away a copy of her new book,  Alan Turing and the Power of Curiosity to one lucky winner! 

Welcome, Karla! Thank you for joining us on the blog. Please briefly describe your journey to publication.

KV: Brief does not describe my journey! :) Like many authors, I’ve been writing my whole life, but it wasn’t until 2010 that I was able to take my storytelling seriously. I began by learning everything I could about kidlit publishing and the craft of being a pro storyteller (by the way - two of the most valuable things I did in this regard were joining Julie Hedlund’s 12x12 challenge and becoming an SCBWI member).

Like everyone in this shared journey, I wrote and wrote and wrote. I queried and queried and queried. I was rejected and rejected and rejected (between us, I stopped counting after 500). So naturally, I fretted and despaired and dabbled with the thought of giving up.
And then this little boy showed up in the deepest recesses of my mind to tell me a story of such profound grief that it broke my heart. I had no choice but to sit down and write it. 40,000 words poured out into a MG novel that resulted in three agent offers (elation!). Most importantly though, I was back at my desk writing (which helped when the novel went out on submission and never actually sold).

Eventually (and for unrelated reasons) I parted ways with my agent. Even though I was (sort of) back where I had started, I had a lot more resilience, some important knowledge about the business of being an author, and the courage to put my heart onto a blank piece of paper.

Fast forward many years and I found out about a call for submissions hosted by a global science association looking to partner with an author to write a picture book about Marie Curie. I do not write non-fiction, and there were already many great biographies of Marie Curie.

However, I saw an opportunity to flex my creative muscles and in the process deliver a new perspective of what it means to be a scientist. The premise was simple: the book would not be a biography of Marie Curie, but rather a story about a trait, a skill, a super power she embodied and which played an important role in helping her succeed in life.
Drawing on select moments of Marie’s life, the story would highlight how she used that power (persistence!) in overcoming challenge after challenge—represented by her nemesis, a monster aptly named, Mr. Opposition—to ultimately reach her dreams.

I submitted the story to the science association, and to my great delight, they loved it! I began working with them on an Indiegogo campaign to fund the publication of the book. Before the month was over, we had far exceeded our fundraising goal and Sourcebooks had made us an offer for world rights to the story.

The whirlwind that followed was magical, and “Marie Curie and the Power of Persistence” came out in April 2020. We are now launching book two in the My Super Science Heroes series, this time with a focus on the power of curiosity. The brilliant Alan Turing is our hero, as we focus on select moments in his life that showcase his unfailing curiosity and how it helped him solve some of the most enigmatic challenges of his time (including battling his nemesis, Miss Enigma, who only speaks in code)!

My journey started over ten years ago, and so much of it has been heart-breaking and confidence-shattering. Fortunately, the kidlit community (all the authors and illustrators and storybook makers), is unparalleled in kindness, generosity, and support. Without them, I would never be where I am (I just sold my 7th book!).
 
Q: What do you find most challenging in this business, either on the creative or publishing side of things? What do you find most rewarding? What helps you stay motivated?

A: Most challenging - being patient! Ugh, the worst.

Most rewarding -
1. Working with so many creative and inspiring people.
2.Reading all the beautiful stories coming into the world by so many creative and inspiring people.

Most motivating
1. My critique partners who are incredibly smart, supportive, and invaluable in helping me shape my ideas.
2. Illustrators. All of them. I’m especially grateful to Annalisa Beghelli, whose inspiring artwork graces the pages of the My Super Science Heroes series.
3. My amazing agent (shout out to Ammi-Joan Paquette!) who is a real pro and makes me feel like one too.
 
Q: Could you share any craft tools or techniques that you find most helpful to you when working on a project? What does your revision process look like? 

A: I tend to overthink all of my stories and also pepper them with darlings (so many darlings!). This makes revisions a nightmare. I have found that the very best thing I can do is fall in love with something new (i.e. write a new story) and put my current WIP away for six months (or more!). I have to put a ton of distance between me and the story in order to be able to see it with fresh eyes and be inspired by it once more.

It also helps that I write both picture books and novels. Jumping between genres is a great way to disconnect from whatever I’m working on and gain a fresh perspective.
 
Q: What's coming up for you next? Please tell us about any new releases, exciting news, upcoming events or anything else you'd like to share with our readers?

A: My debut MG novel, LOTERIA (Knopf) comes out September 7, 2021. Set in Oaxaca, Mexico, this magical realist adventure follows a young girl who becomes an unwitting pawn in a high-stakes game of Lotería being played by Life and Death. If your readers are interested, the book is now available for pre-order on my site (and there’s a great interview by Mr. Schu!)

I also recently sold two new pictures books (which I first wrote in 2014). Moral of the story: keep writing, keep revising, stay in the game!  

Thank you, Karla -- it was a pleasure chatting with you and learning more about your amazing journey! Wishing you many more successes and all the best with your books!

Readers, please support our featured authors/illustrators by following them on Twitter, requesting their book through your local library, posting reviews on Amazon and Goodreads, and of course, purchasing their books.

I hope you enjoyed this post — comments and shares are appreciated. Thank you!
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Author Karla Arenas Valenti writes stories for and about kids, taking readers on journeys seeped in magical realism and philosophical questions. Her storytelling is heavily influenced by her Mexican heritage and layered with ideas and concepts she’s picked up in her many travels around the world. She currently resides in the Chicagoland area with her husband and three kids, two cats, and hundreds of books. Karla writes picture books (she is the creator of the “My Super Science Heroes” series) and middle grade novels.
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Connect with Karla Valenti
Website: karlavalenti.com
Twitter handle: @KV_Writes

Hello amazing readers! KidLit Oasis is back with a new author interview and a giveaway! I can't wait to dive in and hear my guest's words of wisdom, learn about her publication journey, and get the scoop on her past, present, and future projects. I hope you're curious to learn more, too, and you're cozy, comfy, and ready!

So, without further ado, welcome, Patricia! Thank you for joining us on the blog. Please briefly describe your journey to publication.

A: I met my first agent at a conference sponsored by SCBWI, and she sold my first book. After she retired, I attended another SCBWI conference where I met my second agent Deborah Warren at East West Literary, during a face-to-face critique. She said, “If you are ever looking for an agent, please consider me.” I was and I did, and we’re still together after sixteen years! After our first book sale, we had a looong dry spell. One day I opened my calendar to Dec. 31, 2012 and wrote, “Quit if no sales.” But in August of that year, Carol Hinz at Millbrook Press purchased Plastic, Ahoy!, which went on to win several awards. Carol and I have published six books together, including Sea Otter Heroes, which received a Sibert Honor from ALA, and this month’s Planet Ocean. So, it pays to persevere. You never know what’s around the next corner.

Q: What do you find most challenging in this business, either on the creative or publishing side of things? What do you find most rewarding? What helps you stay motivated?

A: The waiting and proposal writing. The waiting induces stress and stress induces self-doubt. But the cure for waiting is to immerse myself in a new writing project—and I seem to have a limitless supply of ideas. Remember, your books might not be published in the order you write them.

Because most of my work is middle-grade nonfiction, I create a proposal to sell the idea to an editor—an overview of the idea, a chapter outline, and marketing information. (Writers, see this article I wrote on proposals.) Proposals are difficult because I create them before I’ve completed my research. I do a lot of reading and searching for sources. Then I have a brief conversation with the scientists. I don’t yet have a sale and don’t want to take up a lot of their time. I have to strike a balance between gathering enough research to find the narrative thread and the hook for a young reader and overdoing it before I have a sale. I’ve managed to survive the proposal process several times, so I know I can do it!

I compare proposals to the Fire Swamp in The Princess Bride. Before I enter the metaphorical swamp, I remind myself that I’ve been here before and know the secrets and have emerged relatively unscathed.

Q: Could you share any craft tools or techniques that you find most helpful to you when working on a project? What does your revision process look like?

​A: Mentor texts are wonderful tools. I find a book I admire – maybe for the language, maybe for the format – and study it to see why it works. I usually type in the text – the complete text for picture books and a selection for longer works – without the images to get a feel for how the words were put together.

As a NF author, I have to think about the format of my book. Will it have sidebars? If so, how long should they be? What should be included in the back matter? Should the text be accompanied by photos or illustrations? Do I have enough photos for a MG title? How much do the photos cost and will the copyright holders extend permission to use them?
I’m much better at revision than rough drafts. I have a sense of where the book is going when I finally begin to revise. I write tighter and I organize my thoughts on a whole different level. Even though I often work from a proposal, I try not to let that outline tie me down. I want the creative process to take over.

Q: What's coming up for you next? Please tell us about any new releases, exciting news, upcoming events or anything else you'd like to share with our readers?

A: Planet Ocean just released on March 2. Annie Crawley and I teamed up for our third book together. We focused on how we have an unbreakable connection with the sea and how to empower readers to become the voice of the ocean through storytelling. Watch this video to find out why your (home, school, classroom) library needs Planet Ocean. 
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​In fall 2022, I have a new nonfiction title coming out. Instead of photographs, it will be illustrated by the talented Natasha Donovan. I wish I could tell you the title, but we’re still working on that. I can tell you it’s a happy conservation story.

​Thank you, Patricia -- it was great chatting with you! Thanks again for being on KidLit Oasis, and all the best on your journey! I look forward to all of your future books and projects!

Readers, please support our featured authors/illustrators by following them on Twitter, requesting their books through your local library, posting reviews on Amazon and Goodreads, and of course, purchasing their books.

I hope you enjoyed this post — shares are appreciated. Thank you! Check out the giveaway below!

Connect with Patricia Newman:
Website: https://www.patriciamnewman.com/
Twitter: @PatriciaNewman

       Click on the book cover to order a copy of Planet Ocean

Patricia Newman’s books show young readers how their actions can ripple around the world. Using social and environmental injustice as inspiration, she empowers young readers to seek connections to the real world and to use their imaginations to act on behalf of their communities. A Robert F. Sibert Honor recipient, Patricia’s books have received starred reviews, ALA Notable recognition, Green Earth Book Awards, an Outstanding Science Trade Book Award, a Parents’ Choice Award; been honored as Junior Library Guild selections; and been included on Bank Street College’s Best Books lists.
One Texas librarian recently wrote, “Patricia is one of THE BEST nonfiction authors writing for our students in today's market, and one of our MUST HAVE AUTHORS for every collection.”
Patricia frequently speaks at schools and conferences to share how children of any age can affect change. Her presentations are described as “phenomenal,” “fantastic,” “mesmerizing,” “passionate,” and “inspirational.”

G I V E A W A Y !

Comment on the post for a chance to win either a copy of Planet Ocean or a picture book critique from Patricia
​(please indicate your preference).
*US addresses for the book only, winner will be announced next week. 

And the winner is . . . 
Danielle Hammelef!
Congratulations!!!