Hello, wonderful readers!

Today, I am excited to revisit with author Beth Anderson who's returning to the blog with some beautiful new picture book titles!

Welcome back, Beth! Thank you for returning to the KidLit Oasis as my guest—which means you liked my hospitality the first time ☺, but it also means you have a new book coming out (or books in your case!) that you'll be sharing with our readers! Congratulations!

So, first, let me ask you this: I know that every book is special to its author in a particular way—how are these two books special to you? Dear to your heart in a different way? What was the experience like, compared to previous ones? Is there an interesting behind-the-scenes about the idea for the story, its creation, an unusual journey to publication perhaps? What stands out?

BA: Thank you so much for inviting me to share REVOLUTIONARY PRUDENCE WRIGHT: LEADING THE MINUTE WOMEN IN THE FIGHT FOR INDEPENDENCE and FRANZ’S PHANTASMAGORICAL MACHINE! These are definitely two very different stories!

FRANZ’’s story, based on Franz Gsellmann and his “World Machine,” was one of my early manuscripts. It grabbed the child in me who loved to tinker, putter, and build. A celebration of curiosity, it explores the power of wonder and challenges us to put aside traditional expectations and judgements. Just as Franz’s machine faced criticism before finally finding appreciation, my creation built with words faced rejection before someone appreciated it, too. It’s funny how every story ends up ringing with personal relevance! Lots of learning happened with Franz’s story—such an important part of my writing journey. This was the manuscript that interested agent Stephanie Fretwell-Hill in my writing. She “got it.” And FRANZ opened the door.

REVOLUTIONARY PRUDENCE WRIGHT had a long journey, too. My attempts at a creative structure didn’t work. In addition, some missing details seemed to sap the strength of the story. That story waited in “the drawer” for a year while I struggled with how to write it. But in time I realized that the emotional truths were what powered Prudence’s story, and that thread didn’t depend on the missing details. I loved that her story offered a window into life behind well-known events like the Boston Tea Party, Paul Revere’s Ride, and the battles at Lexington and Concord. The uniqueness of this untold story convinced me to take a historical fiction path using the most verifiable details and find a way to tell it. If we don’t tell a story because we can’t find every detail, then there are many important stories that will never be told. Researching her story, I connected to some local historians and discovered how her story was personal and continued to inspire people today. That helped me find the “heart” and a way to tell Prudence Wright’s story.
 
Q: And to piggyback on the questions above, did anything surprise you with the books or the publisher's approach (whether it was the same publisher or a new one)? Did you learn anything new? Was it harder or easier to bring the books into the world?
 
BA: FRANZ’S PHANTASMAGORICAL MACHINE is my first book with Kids Can Press. And REVOLUTIONARY PRUDENCE WRIGHT is my fourth book with Calkins Creek. Each publisher works a little differently, and I think each book offers different challenges in the publishing process. With FRANZ, I worked with several editors, and the story stalled a bit as we sought permissions. This was my first experience with the world of permissions—the machine can be seen as art, so would be copyrighted, and the story features the Atomium, a structure that requires permission for illustrations.

PRUDENCE’s story brought new awareness when it was time to vet illustrations. When I wrote the story, I didn’t think about the potential challenges in illustrating a cast of 30 women. But when it was time to vet the art, the question of diversity came up. I was fortunate to find someone who dug into historical records and found African American and Native American families and women in the town of Pepperell.

Every story stretches you in new directions and widens your awareness and thinking for the next one!
 
Q: When did you find out who the illustrator was for the project and were you asked for an input? What was it like working with the illustrator for this book? When did you first see the art and what was your reaction?

BA: For both books, I was consulted as editors considered who might illustrate. I’m always grateful for the editor’s skillset in choosing just the right illustrator who can bring a specialness that will enhance the text.

With FRANZ, Caroline Hamel surprised me with her whimsical style and bright palette, making a story from the past thoroughly modern. She brought a playfulness and a European look which really makes the story sing.

With PRUDENCE, Susan Reagan brought strength and beauty and a gorgeous palette. I was amazed by all the historical details and so delighted by her creative spreads that incorporated documents. And the dramatic spreads—Wow!

I think my favorite part of the publishing process is seeing the sketches for the first time and then watching the art develop. The illustrations are always more than I had imagined!
 
Q: What do you hope to accomplish within the next 2-3 years? Any specific goals or aspirations—personal or writing related—that you could share with us?

BA: I don’t have any lofty goals. :) At this point in my life, I’m thrilled to be on this writing journey. I hope to keep on discovering ideas, people, and events to write stories that engage kids and open up their world, and also to be a positive part of the kid lit community. It’d be fun to write a middle grade novel and something really sparse and lyrical. In general, I’m looking forward to being WITH people, going on some traveling adventures, and hanging out with my grandkids. AND…I’m striving to grow a bumper crop of tomatoes!
 
Q: What's coming up for you next? Please tell us about any other exciting news, upcoming events or anything else you'd like to share with our readers?
​
BA: I’m excited about the next books in the publishing pipeline. I’m over-the-moon amazed with Jeremy Holmes’ illustrations for THOMAS JEFFERSON’S BATTLE FOR SCIENCE: BIAS, TRUTH, AND A MIGHTY MOOSE. Can’t wait to share that story! I have a couple others on the way that are unannounced so will have to stay mum on those. 

Thank you, Beth! As always, it was a pleasure chatting with you and featuring your amazing books on my blog! Wishing all the best with these titles, your upcoming projects, and all future stories you'll be bringing to life for young readers!

Connect with Beth Anderson:

Website: https://bethandersonwriter.com
Twitter: @BAndersonWriter

>>> Click in the book covers to purchase Beth's books <<<

​Welcome to KidLit Oasis the Chitchat series -- a ​place to refresh your spirits, recharge your creativity, and get a literary mood boost!

We have another amazing author interview with great insight, plus a GIVEAWAY! 

Welcome back, Beth! Thank you for returning to the KidLit Oasis as my guest, which tells me you liked my hospitality the first time ☺, but it also means you have a new book coming out that you'll be sharing with our readers! Congratulations!

So, first, let me ask you this: I know that every book is special to its author in a particular way—how is this book special to you? Dear to your heart in a different way? What was the experience like, compared to the previous one? Is there an interesting behind-the-scene about the idea for the story, its creation, an unusual journey to publication perhaps? What stands out?

A: Thanks so much, Rosie, for inviting me back!

Maybe it was growing up in the country, or maybe it was just normal kid curiosity, but city sidewalk grates always caught my attention. What’s down there?
When I read an article about James “Smelly” Kelly, I had some answers to that childhood wondering.  And he had such quirky experiences—comical, dangerous, bizarre! I was smitten! But with only a few anecdotes about his life, pulling together a story was a huge challenge.

After trying out a few angles, I examined his story through the “hero” lens. I had worked through ideas about heroes with Lizzie Demands a Seat and how we all need to step out of the “silence.” “Smelly” Kelly was a different kind of hero—an everyday hero. As I dug deeper asking myself questions about heroism and considered his “super” senses, I found my “heart” thread. The story became about finding our own specialness and where we fit in our world; about what makes a hero a hero; about the idea that we all have unique talents to offer. Those ideas, which I believe strongly and want to share with every child, make this story near and dear to my heart.
 
Q: And to piggyback on the questions above, did anything surprise you with this book or the publisher's approach to it (whether it was the same publisher or a new one)?Did you learn anything new? Was it harder or easier to bring it into the world?

A: Carolyn Yoder at Calkins Creek was the editor for both Lizzie Demands a Seat and “Smelly” Kelly and His Super Senses. While the process is the same and both deal with concepts about heroes, the stories are very different. The biggest contrast in going from manuscript to book was with illustrations. E.B. Lewis and Jenn Harney work very differently, and it was fascinating for me to learn about their processes and see the books come to life. I am so intrigued by how the editor and art director identify the perfect illustrator and proceed to marry text to art. I would love to be a fly on the wall and watch it all!

E.B. Lewis, who works in watercolors, says in his art note in Lizzie Demands a Seat that he used colors he had never used before. Clearly, we both pushed past our comfort zones with that book. Jenn Harney, who works digitally, also taught me about palettes. With her process, changes and tweaks were easy to make. We both had a lot of fun with “Smelly” Kelly and His Super Senses. I relished sneaking in superhero references, and she infused joy into all the action. I learn more with every book!
 
Q: When did you find out who the illustrator was for the project and were you asked for an input? What was it like working with the illustrator for this book? When did you first see the art and what was your reaction?

A: The editor and I shared ideas about illustrators. When she suggested Jenn Harney, I immediately explored her website and found glorious detail, unique characters, and scenes bursting with life. I was an instant fan! Jenn was wonderful to work with—always happy to revise and tweak as we worked through a few challenging pages. It turns out she loved her first adventure into researching for illustrations, too. She surprised me with the two palettes for above and below ground, fascinating detail, and creative ways to show the action that involved drips and leaks hidden behind walls or underground. The first tunnel scene took my breath away. The power of the palette! And the last page was so perfect—better than anything I’d imagined. I enjoy learning about illustration and all the aspects of it beyond the ability to draw.
 
Q: What do you hope to accomplish within the next 2-3 years? Any specific goals or aspirations—personal or writing related—that you could share with us?

A: I look forward to sharing my books with kids and sparking curiosity, creative thinking, and opening up their world. Hopefully, I can continue to chance upon stories that beg to be told that will help kids see the humanity in history and connect it to their own lives, as well as explore fun and thought provoking topics. I’m thrilled to stay on this path, and I welcome any opportunities that might come my way.
 
Q: What's coming up for you next? Please tell us about any other exciting news, upcoming events or anything else you'd like to share with our readers?

A: I’m looking forward to the virtual launch of “Smelly” Kelly and His Super Senses at Second Star to the Right Bookstore in Denver on Oct. 17 at 4pm MDT. Please join in!

The New York Transit Museum is doing a virtual family program on “Smelly” Kelly and His Super Senses soon (date TBA). I’ll be helping with a couple presentations. If you’re interested in upcoming virtual events like this, please check my website.

And recently I was contacted by the Long Island Museum about a program they’re developing for schools on Elizabeth Jennings using Lizzie Demands a Seat. If you’re in a school and interested in the virtual program, please contact the museum.

I’m very excited about Tad Lincoln’s Restless Wriggle which releases in fall 2021. It’s such a tender father and son story, full of energy and joy! Tad reminds me of all those students I had that couldn’t sit still, whose minds popped with ideas—kids who were challenged as learners for various reasons, and who pushed me to be a better teacher. Another story dear to my heart!

Thank you, Beth. What an interesting insight! I can't wait to read "Smelly" Kelly's story.

Readers, to support our featured authors/illustrators by following them on Twitter, requesting their book through your local library, posting reviews on Amazon and Goodreads, and of course, purchasing their books.

I hope you enjoyed this post — shares are greatly appreciated. Thank you!

                                    G I V E A W A Y!
For a chance to win a copy of "Smelly" Kelly and His Super Senses simply comment on this post and you will be entered. (Continental US only, please.)

Connect with Beth Anderson:
Website: www.bethandersonwriter.com
Twitter: @BAndersonWriter
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​Beth Anderson, a former English as a Second Language teacher, has always marveled at the power of books. Armed with linguistics and reading degrees, a fascination with language, and penchant for untold tales, she strives for accidental learning in the midst of a great story. Beth lives in Loveland, Colorado where she laughs, wonders, thinks, and questions; and hopes to inspire kids to do the same. Author of AN INCONVENIENT ALPHABET(S&S 2018), LIZZIE DEMANDS A SEAT! (Calkins Creek, 2020), and “SMELLY” KELLY AND HIS SUPER SENSES (Calkins Creek, Oct. 2020), Beth has more historical gems on the way.

Hello, wonderful readers!

Hooray, you found your way to the Oasis―it's great to have you visit! This is the place to refresh your spirits, recharge your creativity, and get a literary mood boost!

Now, stretch your smiles wide and get comfy and cozy for a lovely chitchat because today we have an awesome creative on the KidLit Oasis series... Children's author Beth Anderson is here to share some wisdom, insight, and inspiration with us! 
​
Welcome, Beth! Thank you for joining us on the blog. Please briefly describe your journey to publication.

BA: Thank you so much for your invitation! After retiring from teaching, I set out to learn about the industry and go after writing for children. The local and online kid lit community has guided, taught, supported, encouraged, and offered up so many opportunities. Taking advantage of that has brought me to where I am. After 2+ years, I signed with an agent and am forever grateful I decided on that route. With the benefit of a knowledgeable advisor, I’ve been better able to take advantages of opportunities. After meeting an editor at a retreat and revising per her feedback, we submitted and soon had my first contract—An Inconvenient Alphabet. Though that all sounds so simple, there’s been tremendous time invested, much learning, and the usual bumps.

Q: What do you find most challenging in this business, either on the creative or publishing side of things? What do you find most rewarding? What helps you stay motivated?

BA: I think the most challenging part is crafting an irresistible premise and story that will grab an editor. And I don’t think that gets any easier – at least not so far. The most rewarding aspect is getting the books into the hands of kids, engaging their brains and hearts, and witnessing their joy in reading. Young readers are certainly motivators, but curiosity also drives me forward.

Q: Could you share any craft tools or techniques that you find most helpful to you when working on a project? What does your revision process look like?

BA: Finding a way to organize research (nonfiction can be an organizational challenge) and all the ideas that pop in my head as I write was extremely helpful. I did a blog post about it, and if you’re interested, you can learn more about that HERE. 

My revision process is long and varied! :) Lizzie Demands a Seat took more than 90 revisions, but this was largely due to my inexperience when I started it (2015) and also that many of the changes I made were minor revisions. Now I do a lot more “pre-writing” work as I plan and gather information and ideas in a spiral before I draft. I work through timelines, delve into characters and setting, plot the arc, and brainstorm special ways to tell the story. I’m also more willing to take a wrecking ball to the writing to experiment with structure and big changes. One of my favorite ways to revise is to print out the draft (one sided), lay it across the desk, and use highlighters to analyze arc, characterization, conflict, scenes, proportions, transitions, beginning and end, and more. I make notes all over it as thoughts pop on how to revise, and then start pulling in bits and pieces, moving text, reshaping, and reworking.

Q: What's coming up for you next? Please tell us about any new releases, exciting news, upcoming events or anything else you'd like to share with our readers?

BA: I’m very excited about upcoming events with the New York Transit Museum. I had sought help from their historian when I researched my Oct. 13 release, “Smelly” Kelly and His Super Senses, which takes place in the NYC subway in the 1930-40s, and then had a few questions in the final stages of Lizzie’s story. (It’s pure coincidence that I ended up with two 2020 books that deal with NYC transportation!) She shared the stories with their education coordinator, and they decided to create a family program around both books. So I’ll be in NY for the Elizabeth Jennings program on Feb. 20, and do an extra reading on the 21st. Then serendipity struck with a couple more opportunities while I’m there…stay tuned! 

Thank you, Beth, it was a pleasure having you! And huge congratulations on the recent starred review from School Library Journal for Lizzie Demands a Seat! ​Check it out here. 

Please support our featured authors/illustrators by following them on Twitter, requesting their books through your local library, posting reviews on Amazon and Goodreads, and of course, purchasing their books.

I hope you enjoyed this post -- comments and shares are appreciated. Thank you!

Connect with Beth Anderson
website: www.bethandersonwriter.com
Twitter: @BAndersonWriter