Hello, amazing readers!

Here you are at the Oasis ― it's great to have you visit! As you know, this is the place to refresh your spirits, recharge your creativity, and get a literary mood boost!

Today, Children's Author Michal Babay is my guest and she'll share some wisdom, insight, and inspiration with us! Plus, check out the giveaway at the end of this interview!

Welcome, Michal ! Thank you for joining us on the blog. Please briefly describe your journey to publication.

A: Hi Rosie, thank you for having me on your blog! My journey to publication was, like most picture book authors, full of unexpected zigs and zags. My first book sale was in 2019, after I’d already been writing seriously for a number of years. That book (which I should be able to announce officially very soon!) came about because of an editor critique I did at an SCBWI conference. After our conversation, I asked if I should submit it to her through the conference submission opportunity, and she said “definitely.”So I made her suggested revisions, sent it along, and seven months later – she made an official offer! With this official offer in hand, I contacted all the agents who were considering another manuscript of mine (the story that became I’m A Gluten-Sniffing Service Dog) and finally, joyfully, signed with my dream agent, Laurel Symonds of The Bent Agency. 
​

​The funny thing is, as part of my twisty zig-zag journey, I had previously queried Laurel. She’d been interested enough to request other stories, but they weren’t quite strong enough to hold an agent’s interest, so she ended up passing. However, I was determined. I kept writing, revising, and soothing my battered ego with chocolate, until I’d finally created a body of work that pushed Laurel’s “I like this but…” into a “YES!”
 
What do you find most challenging in this business, either on the creative or publishing side of things? What do you find most rewarding? What helps you stay motivated?

A: Staying focused enough to finish a first draft is the most challenging part for me. I’m a bit like Chewie. If I had a tail, I’d be chasing it instead of writing! Everything distracts me when the work is difficult. Which means, of course, that one of the most rewarding parts is actually finishing that first draft! It feels like a huge accomplishment for me every time I write the ending of a story. Once that painful first draft is completed, everything else is a pleasure. I love revising, so going back into the manuscript to tighten and change things is fun for me.

My critique partners and my hourglass timer help me stay motivated. If I haven’t produced anything in a while, they’ll check in and ask what’s going on. Having a group of creators who are ALWAYS on your side is the most essential part of my writing world. And by on my side, I also mean that they never let me send out a manuscript until it’s as strong as possible. They are honest about what’s working and what isn’t, so I know when they finally love it, it’s ready to send to my agent!

Q: Could you share any craft tools or techniques that you find most helpful to you when working on a project? What does your revision process look like? 

A: Since I’m so easily distracted, my wonderfully wise writing partner Lauren Kerstein suggested using a sand hourglass time so I get at least one hour of actual writing done  most days. When I need to pause, I just lay the hourglass on its side until I’m ready to come back and finish writing. Of course, this doesn’t happen all the time. Some weeks are just for thinking and percolating, instead of writing.

During the revision process, I use Google Docs so it’s accessible to me anywhere I go (after all, you never know when the perfect name for that character will pop out at you!). I also create a new copy each time I revise, so that by the time I’m finished there are usually 20-30 versions on my Google drive. This was another organizational tip from Lauren. That woman knows her stuff when it comes to staying on task and organizing files!

Q: What's coming up for you next? Please tell us about any new releases, exciting news, upcoming events or anything else you'd like to share with our readers?
​
A: I actually have two more books coming out in the next two years, so I can’t wait to share the details on both of those soon!

Thank you, Michal! It was fun chatting with you and learning more about your journey, writing process, and new projects! Please come back to visit KidLit Oasis in the future!

Readers, please support our featured authors/illustrators by following them on Twitter, requesting their book through your local library, posting reviews on Amazon and Goodreads, and of course, purchasing their books.

I hope you enjoyed this post — comments and shares are appreciated. Thank you!

​







Michal Babay is the author I’M A GLUTEN-SNIFFING SERVICE DOG (Albert Whitman & Company, 2021). After many years as a teacher and elementary resource specialist, Michal now spends her days writing stories, wrangling teenagers, convincing her three dogs to stop barking, and searching for the perfect gluten-free donut. Michal lives in Southern California with her family
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                                             Click on the book cover to order a copy!

Hello, wonderful readers!

New week, new interview, and new. . . logo design! Yay! I hope you like it and that it instantly gets you in a lovely literary mood.

So, let's give a warm welcome to our guest author and dear friend, Ellen Leventhal--I can't wait to chat with her about her writing career, her latest and upcoming projects, and also to hear her best revision tips. Check out the giveaway at the end, too!

Welcome, Ellen! Thank you for joining us on the blog. Please briefly describe your journey to publication.

A: My road to publication has been a bit different than some, but like many people, I’ve had lots of twists, bumps, and bruises. My first book, DON’T EAT THE BLUEBONNETS, written with Ellen Rothberg, was originally published with a very small local press due to winning a contest! Unfortunately, after a few printings (Yay!), that press decided not to do picture books anymore (Boo!) Eventually, another publisher picked it up, we revised it, and marketed it as a “Ten Year Anniversary” edition. My next book, LOLA CAN’T LEAP released a year later. There was a LOT of revision with that piece after I signed the contract, and although it was frustrating at times, I do love how it turned out. Revision at all stages is part of the process. All the while, I submitted and collected rejections. In 2019 I signed with a wonderful project by project agent who sold my upcoming book, A FLOOD OF KINDNESS in six months. I signed with WorthyKids/Hachette Book Group in 2019, and it will hit store shelves on April 13, 2021. Keeping it real, I still do the dance of write- revise- submit- read rejections-eat chocolate- do it all over. I get pages and pages of rejections, but I have learned to have a bit thicker skin. It’s not fun to get rejections, but again, it’s part of the process. I think the key to staying in the game is to think of it like riding a wave, and you never know what’s coming next. I have lots of stories that were never published. Perhaps I’ll try again. Who knows? My next release (a few years down the road) is a result of one editor liking my writing, but not the way I told  the story and another editor loving the way I told  the story. She signed me. This is a very subjective business! You never know! So, my road to publication? I’m still on it, and it’s still bumpy, but it’s where I want to be.
 
Q: What do you find most challenging in this business, either on the creative or publishing side of things? What do you find most rewarding? What helps you stay motivated?

A: Creatively, when writing picture books, it’s a challenge for me to stay on one subject! I have so much to say! But I know now that I will work that out in revisions.

The publishing side of things is more difficult for me, and yet it’s not difficult at all since I have no control there. I like control! And The waiting…AKK! Waiting to hear if your manuscript is accepted. Waiting to sign a contract. Waiting for publication. People are always so surprised when they hear about publishing timelines. Marketing is also hard for me! No matter the size of your publisher, much of the marketing falls on the author. I am currently in a very collaborative relationship with the marketing gurus at WorthyKids, which is great, and I am thankful for that. Still, promoting my own work is uncomfortable for me. But again, it’s part of the whole deal, and I love the whole deal! I do enjoy speaking in front of kids and even adults, which is sort of marketing, but I don’t feel like I am pushing my book when I do that.

What helps me stay motivated? That’s an easy one. The love of writing and the love of connecting with people in the KidLit community. Without my critique groups and writer friends, I would have given up a long time ago.

Q: Could you share any craft tools or techniques that you find most helpful to you when working on a project? What does your revision process look like? 

A: There are a lot of tools in my toolbox, and most of them are things I’ve picked up from other people. One thing I’ve learned  to do is let my mind flow for the first draft. As a serial reviser this was hard for me for a long time, but I’ve found it helps. I start with an idea, but sometimes during the first draft, my idea changes and becomes something better. (Or sometimes it morphs into something worse, and that’s where my friend “revision” comes in.) Another little thing I do is something I learned from a critique partner. I try to get rid of as many “to be” verbs. Wherever I see one (“She was amazed!”), I circle the weak verb and change the sentence to something active. As far my revision process, as I said, I am a serial reviser. The problem is that I never know when to end! (That’s NOT a good thing). The first few revisions begin to tell me what I need to do story wise. I take a lot of what my critique groups say and decide what I want to incorporate into my story.(Thank you, Rosie Pova for giving me some great ideas over the years!) I think of revision as putting my story into a sieve. I shake out what doesn’t belong. Then, once I am pretty sure what I want to say after the first few drafts, I sometimes use the “Hamburger” method that I teach my writing students. As part of revision I need to make sure I still have a good story structure and that I didn’t chop too much. I check to make sure I have a really yummy top of a bun (Hook or intro). I add delicious condiments, etc. to the burger (middle) to make it “tasty.” This is where I’ll double check to make sure I have things like tension and emotion. And as with all great sandwiches, I can’t forget the bottom bun (strong conclusion). Without that, everything falls apart. I spend a lot of time trying to make my ending as exciting as the beginning. And then I do all of that over and over. And over. Please stop me! (I really have a problem.)

Q: What's coming up for you next? Please tell us about any new releases, exciting news, upcoming events or anything else you'd like to share with our readers?

A: I’m excited that although the actual Book Birthday for A FLOOD OF KINDNESS is April 13, my virtual launch is on April 24. My illustrator, Blythe Russo will be presenting with me. Here is a link to the launch. https://www.brazosbookstore.com/event/virtual-ellen-leventhal-flood-kindness

I also have a new book in the pipeline, but it won’t be out until 2023, so all I can say now is it was out of my comfort zone, but it’s something I’ve wanted to do for years!

Thanks so much for having me here, Rosie and for the great questions. 

Thank you, Ellen, for this wonderful insight into your writing world, your work, and your process! I hear you -- sometimes it's hard to stop revising, and other times, we want to be done, but we know there's more work needed to be put into a piece... Writer's life! ;) Eventually, we figure it out, and our critique groups are invaluable indeed!

Please come come again to KidLit Oasis -- I can't wait to celebrate with you that 2023 project in the pipeline and many more to come!

Readers, please support our featured authors/illustrators by following them on Twitter, requesting their book through your local library, posting reviews on Amazon and Goodreads, and of course, purchasing their books.

I hope you enjoyed this post — comments and shares are appreciated. Thank you!

Hello, wonderful readers!

Welcome back to KidLit Oasis ― the place to refresh your spirits, recharge your creativity, and get a literary mood boost!

Now, stretch your smiles wide and get comfy and cozy, because today we have another awesome creative on the Chitchat series... children's author Karla Valenti is here to share some wisdom, insight, and inspiration with us! Plus, she's giving away a copy of her new book,  Alan Turing and the Power of Curiosity to one lucky winner! 

Welcome, Karla! Thank you for joining us on the blog. Please briefly describe your journey to publication.

KV: Brief does not describe my journey! :) Like many authors, I’ve been writing my whole life, but it wasn’t until 2010 that I was able to take my storytelling seriously. I began by learning everything I could about kidlit publishing and the craft of being a pro storyteller (by the way - two of the most valuable things I did in this regard were joining Julie Hedlund’s 12x12 challenge and becoming an SCBWI member).

Like everyone in this shared journey, I wrote and wrote and wrote. I queried and queried and queried. I was rejected and rejected and rejected (between us, I stopped counting after 500). So naturally, I fretted and despaired and dabbled with the thought of giving up.
And then this little boy showed up in the deepest recesses of my mind to tell me a story of such profound grief that it broke my heart. I had no choice but to sit down and write it. 40,000 words poured out into a MG novel that resulted in three agent offers (elation!). Most importantly though, I was back at my desk writing (which helped when the novel went out on submission and never actually sold).

Eventually (and for unrelated reasons) I parted ways with my agent. Even though I was (sort of) back where I had started, I had a lot more resilience, some important knowledge about the business of being an author, and the courage to put my heart onto a blank piece of paper.

Fast forward many years and I found out about a call for submissions hosted by a global science association looking to partner with an author to write a picture book about Marie Curie. I do not write non-fiction, and there were already many great biographies of Marie Curie.

However, I saw an opportunity to flex my creative muscles and in the process deliver a new perspective of what it means to be a scientist. The premise was simple: the book would not be a biography of Marie Curie, but rather a story about a trait, a skill, a super power she embodied and which played an important role in helping her succeed in life.
Drawing on select moments of Marie’s life, the story would highlight how she used that power (persistence!) in overcoming challenge after challenge—represented by her nemesis, a monster aptly named, Mr. Opposition—to ultimately reach her dreams.

I submitted the story to the science association, and to my great delight, they loved it! I began working with them on an Indiegogo campaign to fund the publication of the book. Before the month was over, we had far exceeded our fundraising goal and Sourcebooks had made us an offer for world rights to the story.

The whirlwind that followed was magical, and “Marie Curie and the Power of Persistence” came out in April 2020. We are now launching book two in the My Super Science Heroes series, this time with a focus on the power of curiosity. The brilliant Alan Turing is our hero, as we focus on select moments in his life that showcase his unfailing curiosity and how it helped him solve some of the most enigmatic challenges of his time (including battling his nemesis, Miss Enigma, who only speaks in code)!

My journey started over ten years ago, and so much of it has been heart-breaking and confidence-shattering. Fortunately, the kidlit community (all the authors and illustrators and storybook makers), is unparalleled in kindness, generosity, and support. Without them, I would never be where I am (I just sold my 7th book!).
 
Q: What do you find most challenging in this business, either on the creative or publishing side of things? What do you find most rewarding? What helps you stay motivated?

A: Most challenging - being patient! Ugh, the worst.

Most rewarding -
1. Working with so many creative and inspiring people.
2.Reading all the beautiful stories coming into the world by so many creative and inspiring people.

Most motivating
1. My critique partners who are incredibly smart, supportive, and invaluable in helping me shape my ideas.
2. Illustrators. All of them. I’m especially grateful to Annalisa Beghelli, whose inspiring artwork graces the pages of the My Super Science Heroes series.
3. My amazing agent (shout out to Ammi-Joan Paquette!) who is a real pro and makes me feel like one too.
 
Q: Could you share any craft tools or techniques that you find most helpful to you when working on a project? What does your revision process look like? 

A: I tend to overthink all of my stories and also pepper them with darlings (so many darlings!). This makes revisions a nightmare. I have found that the very best thing I can do is fall in love with something new (i.e. write a new story) and put my current WIP away for six months (or more!). I have to put a ton of distance between me and the story in order to be able to see it with fresh eyes and be inspired by it once more.

It also helps that I write both picture books and novels. Jumping between genres is a great way to disconnect from whatever I’m working on and gain a fresh perspective.
 
Q: What's coming up for you next? Please tell us about any new releases, exciting news, upcoming events or anything else you'd like to share with our readers?

A: My debut MG novel, LOTERIA (Knopf) comes out September 7, 2021. Set in Oaxaca, Mexico, this magical realist adventure follows a young girl who becomes an unwitting pawn in a high-stakes game of Lotería being played by Life and Death. If your readers are interested, the book is now available for pre-order on my site (and there’s a great interview by Mr. Schu!)

I also recently sold two new pictures books (which I first wrote in 2014). Moral of the story: keep writing, keep revising, stay in the game!  

Thank you, Karla -- it was a pleasure chatting with you and learning more about your amazing journey! Wishing you many more successes and all the best with your books!

Readers, please support our featured authors/illustrators by following them on Twitter, requesting their book through your local library, posting reviews on Amazon and Goodreads, and of course, purchasing their books.

I hope you enjoyed this post — comments and shares are appreciated. Thank you!
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Author Karla Arenas Valenti writes stories for and about kids, taking readers on journeys seeped in magical realism and philosophical questions. Her storytelling is heavily influenced by her Mexican heritage and layered with ideas and concepts she’s picked up in her many travels around the world. She currently resides in the Chicagoland area with her husband and three kids, two cats, and hundreds of books. Karla writes picture books (she is the creator of the “My Super Science Heroes” series) and middle grade novels.
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Connect with Karla Valenti
Website: karlavalenti.com
Twitter handle: @KV_Writes

Hello amazing readers! KidLit Oasis is back with a new author interview and a giveaway! I can't wait to dive in and hear my guest's words of wisdom, learn about her publication journey, and get the scoop on her past, present, and future projects. I hope you're curious to learn more, too, and you're cozy, comfy, and ready!

So, without further ado, welcome, Patricia! Thank you for joining us on the blog. Please briefly describe your journey to publication.

A: I met my first agent at a conference sponsored by SCBWI, and she sold my first book. After she retired, I attended another SCBWI conference where I met my second agent Deborah Warren at East West Literary, during a face-to-face critique. She said, “If you are ever looking for an agent, please consider me.” I was and I did, and we’re still together after sixteen years! After our first book sale, we had a looong dry spell. One day I opened my calendar to Dec. 31, 2012 and wrote, “Quit if no sales.” But in August of that year, Carol Hinz at Millbrook Press purchased Plastic, Ahoy!, which went on to win several awards. Carol and I have published six books together, including Sea Otter Heroes, which received a Sibert Honor from ALA, and this month’s Planet Ocean. So, it pays to persevere. You never know what’s around the next corner.

Q: What do you find most challenging in this business, either on the creative or publishing side of things? What do you find most rewarding? What helps you stay motivated?

A: The waiting and proposal writing. The waiting induces stress and stress induces self-doubt. But the cure for waiting is to immerse myself in a new writing project—and I seem to have a limitless supply of ideas. Remember, your books might not be published in the order you write them.

Because most of my work is middle-grade nonfiction, I create a proposal to sell the idea to an editor—an overview of the idea, a chapter outline, and marketing information. (Writers, see this article I wrote on proposals.) Proposals are difficult because I create them before I’ve completed my research. I do a lot of reading and searching for sources. Then I have a brief conversation with the scientists. I don’t yet have a sale and don’t want to take up a lot of their time. I have to strike a balance between gathering enough research to find the narrative thread and the hook for a young reader and overdoing it before I have a sale. I’ve managed to survive the proposal process several times, so I know I can do it!

I compare proposals to the Fire Swamp in The Princess Bride. Before I enter the metaphorical swamp, I remind myself that I’ve been here before and know the secrets and have emerged relatively unscathed.

Q: Could you share any craft tools or techniques that you find most helpful to you when working on a project? What does your revision process look like?

​A: Mentor texts are wonderful tools. I find a book I admire – maybe for the language, maybe for the format – and study it to see why it works. I usually type in the text – the complete text for picture books and a selection for longer works – without the images to get a feel for how the words were put together.

As a NF author, I have to think about the format of my book. Will it have sidebars? If so, how long should they be? What should be included in the back matter? Should the text be accompanied by photos or illustrations? Do I have enough photos for a MG title? How much do the photos cost and will the copyright holders extend permission to use them?
I’m much better at revision than rough drafts. I have a sense of where the book is going when I finally begin to revise. I write tighter and I organize my thoughts on a whole different level. Even though I often work from a proposal, I try not to let that outline tie me down. I want the creative process to take over.

Q: What's coming up for you next? Please tell us about any new releases, exciting news, upcoming events or anything else you'd like to share with our readers?

A: Planet Ocean just released on March 2. Annie Crawley and I teamed up for our third book together. We focused on how we have an unbreakable connection with the sea and how to empower readers to become the voice of the ocean through storytelling. Watch this video to find out why your (home, school, classroom) library needs Planet Ocean. 
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​In fall 2022, I have a new nonfiction title coming out. Instead of photographs, it will be illustrated by the talented Natasha Donovan. I wish I could tell you the title, but we’re still working on that. I can tell you it’s a happy conservation story.

​Thank you, Patricia -- it was great chatting with you! Thanks again for being on KidLit Oasis, and all the best on your journey! I look forward to all of your future books and projects!

Readers, please support our featured authors/illustrators by following them on Twitter, requesting their books through your local library, posting reviews on Amazon and Goodreads, and of course, purchasing their books.

I hope you enjoyed this post — shares are appreciated. Thank you! Check out the giveaway below!

Connect with Patricia Newman:
Website: https://www.patriciamnewman.com/
Twitter: @PatriciaNewman

       Click on the book cover to order a copy of Planet Ocean

Patricia Newman’s books show young readers how their actions can ripple around the world. Using social and environmental injustice as inspiration, she empowers young readers to seek connections to the real world and to use their imaginations to act on behalf of their communities. A Robert F. Sibert Honor recipient, Patricia’s books have received starred reviews, ALA Notable recognition, Green Earth Book Awards, an Outstanding Science Trade Book Award, a Parents’ Choice Award; been honored as Junior Library Guild selections; and been included on Bank Street College’s Best Books lists.
One Texas librarian recently wrote, “Patricia is one of THE BEST nonfiction authors writing for our students in today's market, and one of our MUST HAVE AUTHORS for every collection.”
Patricia frequently speaks at schools and conferences to share how children of any age can affect change. Her presentations are described as “phenomenal,” “fantastic,” “mesmerizing,” “passionate,” and “inspirational.”

G I V E A W A Y !

Comment on the post for a chance to win either a copy of Planet Ocean or a picture book critique from Patricia
​(please indicate your preference).
*US addresses for the book only, winner will be announced next week. 

Welcome to KidLit Oasis!

I am excited to chat with the talented Erin Dealey and find out more about her author journey, books, and her best writing tips! Join me for this inspiring conversation and enter the double giveaway at the end!

Welcome, Erin! Thank you for being my quest on the blog. Please briefly describe your journey to publication.

A: First of all, thank you for inviting me to be on your blog, Rosie.

As for my journey, it has come full circle with the recent release of PETER EASTER FROG, Illus. by G.Brian Karas. Caitlyn Dlouhy, my editor, is the same amazing human who pulled my very first manuscript, GOLDIE LOCKS HAS CHICKEN POX, out of the slush pile 22 years ago. LITTLE BO PEEP CAN’T GET TO SLEEP (both Atheneum / Illus. Hanako Wakiyama) followed soon after. I am so thrilled that PETER EASTER FROG has found a home with Caitlyn Dlouhy Books / Atheneum/ Simon & Schuster, where she is now VP/ Publisher of her own imprint. And yes, there were many years in between where I submitted manuscripts to Caitlyn that were not quite right for her list. Fast forward to the moment when Caitlyn said, “Yes!” to PETER EASTER FROG, and we all did a happy dance! I love this book SO MUCH. That thing about writing #kidlit and never giving up? It’s real.
 
Q: What do you find most challenging in this business, either on the creative or publishing side of things? What do you find most rewarding? What helps you stay motivated?

A: For me, the waiting is the hardest part. I always tell students that if they want to know what their grade is the second they turn in their assignment, waiting is 100x harder when you submit a manuscript. That’s not to say that I haven’t had some quick YESes (and NOs…) but for the most part, we wait. A lot. Right? PETER EASTER FROG is my 16th book and the waiting still happens. I try to remind myself that there are many other hoops that little manuscript has to jump through, and in the long run, the YESes are always worth the wait. Having young readers find themselves –or a giggle or a hug or possibly some eco-friendly motivation—in my books is the BEST. Getting to put the stories from my heart on paper and see some of them become books is such an honor.  Seriously, aren’t we lucky?

Q: Could you share any craft tools or techniques that you find most helpful to you when working on a project? What does your revision process look like? 

A: My “technique” starts with paper and pencil—or possibly a pen. If my idea book isn’t handy, I write my first drafts out on a legal pad or in a regular old notebook. I feel like this connects more with the crazy world in my brain than typing. I know some who go straight to their computer keyboards, but to me—and I’ve said this before-- that’s like Michelangelo heading to the scaffold in the Sistine Chapel without sketching things first. Your story will change and evolve, but the initial ideas flow much more freely on paper. Writing is our art form. The first draft is your sketch.
 
Q: What's coming up for you next? Please tell us about any new releases, exciting news, upcoming events or anything else you'd like to share with our readers?

A: Next? Yikes! PETER EASTER FROG hopped onto shelves on January 19th, barely a month after DEAR EARTH…From Your Friends in Room 5 (Illus. Luisa Uribe/ Harper Collins / an Indie Next/ Kids’ Pick) so I think next up is some time to catch my breath--haha. No, really, there are certain manuscripts currently out on submission, whose titles shall not be named at present—one which involves a big switch in genres, so send good thoughts, please friends! 

Thank you, Erin -- this was fun and so insightful! Congrats on all your success!

Readers, please support our featured authors/illustrators by following them on Twitter, requesting their book through your local library, posting reviews on Amazon and Goodreads, and of course, purchasing their books. 

                           D O U B L E   G I V E A W A Y!

Comment on this post and share it on social media for a chance to win a PB critique or a copy of PETER EASTER FROG. Two winners will be announced next week. (US address for the book please.)
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Connect with Erin Dealey:
erindealey.com
@ErinDealey

​Erin Dealey's original career goal was Olympic Gold Medal tetherball player. When that didn't pan out, she became a teacher, theater director, actor, mom, and author--and welcomes any opportunity to visit schools (or zoom) around the world. She lives in northern California with her husband and a very energetic Golden Retriever. Now go read (or write!) a book. : )  


.....................................................................................................     Order Peter Easter Frog HERE

Happy New Year!

Welcome back, dear readers! We are starting 2021 with a delightful double interview in the Chitchat series! So, get comfy and cozy, and get ready to read because you are undoubtedly getting a double dose of literary mood boost! 

Lauren and Evelyn, take it away!

LHK: Captain Green is a perfect balance of being kid-like and a thoughtful hero kids can aspire to be. What writing techniques did you use to capture his voice and develop his personality?
 
EB: Thanks so much Lauren. First and foremost, it was important for me that the story entertain children and not be didactic, and that readers would feel inspired to do their bit to look after our planet, just like Captain Green and the children in the story.
 
In order to keep it light and fun, I looked for opportunities to show Captain Green as a lovable little guy with a good heart. I made use of lots of superhero language, powerful verbs and portrayed Captain Green as someone who is so eager to help animals but doesn't always go about it the best way, because he is still learning. When the story opens, Captain Green is happily working away, building a superhero invention, but he isn't quite sure what he will use it for. Then he is called to save one animal after another whose trees have been destroyed. Captain Green decides to use his invention to plant trees in a super-duper fast way (which ends in disaster!). I wanted to show that the main character doesn't have to know everything to make a difference, that it is ok to fail at first, and that we learn from our mistakes.
 
EB: Lauren, I'd love to ask about your adorable main character Calvin. From the very first spread, the emotion just jumps off the page and I felt myself rooting for this sweet but troubled boy. What techniques did you use to show readers what Calvin was going through?
 
LHK: First, I just love your answer. It is so important to show children that you don’t have to know everything or do things perfectly to make a difference. Learning from our mistakes is so important. Thank you for your kind words about Calvin. His story is a story from my therapist heart. I really forced myself to dig as deeply as possible into the work I did with children in the day treatment center preschool program I ran. I honed in on the juxtaposition so many of the children experienced—they wanted to be wanted, but also felt unworthy and untrusting as a result of past rejection. I wanted Calvin to be as authentic as possible so that readers would root for him. I’m so glad you did.
 
LHK: There is so much compassion and beauty built into your book. I particularly love the spreads where Captain Green rescues Orangutan. The art and the text are fabulous. What is your favorite spread in the book? 
 
EB: Thanks so much Lauren. Danny Deeptown is an incredible illustrator and a joy to work with. He has done a truly outstanding job of portraying Captain Green's emotions towards the animals that are in danger. Danny's love of nature and wildlife shines through in the way he has illustrated both of the Captain Green books. I adore all of the illustrations, but my favorite is a double page spread where Captain Green has rescued all of the animals and they are safe again among some stunning rainforest. The character's emotions are shown so tenderly.

LHK: Yes! I couldn’t agree more. He really is so talented!
 
EB: Natalia Moore's illustrations in HOME FOR A WHILE are especially gorgeous. She's created a cozy, safe world for Calvin, and Maggie is the most wonderful foster parent. The love that grows between the two characters shines out in the art. I was struck by the very first image where Calvin, full of apprehension, climbs the stairs to a waiting Maggie. The separation between the two characters speaks to the distance in the relationship that eventually melts away as they get to know each other. Do you have a favorite illustration?
 

​
LHK: Thank you! Natalia truly brought this welcoming and inviting home to life. You know, it is so interesting to read your question. I never consciously thought about the ways in which Natalia shows the distance between them in that opening spread. I can’t believe I didn’t think about it that way, but I didn’t and that is why it works so incredibly well. My favorite spread is the one in which Calvin and Maggie are holding hands on a walk. The scene is so soothing and serene. I just love the feeling Natalia was able to evoke with her illustration. It matches the emotional transition Calvin is making so beautifully.
 
EB: Aw, that is such a lovely moment in the story and depicted so tenderly by Natalia.

LHK: I loved the first book in the Captain Green series as well. Both Captain Green and the Plastic Scene and Captain Green and the Tree Machine highlight the positive and negative ways we can/do impact our Earth. You provide such helpful strategies and ideas for all of us as we navigate repairing our world. What specific challenges did you face in writing a sequel? What were the positives associated with writing a sequel?
 
EB: Thanks Lauren! There were indeed challenges. I wanted to show that the main character, Captain Green had grown since his first eco adventure, but was still the same, lovable superhero who tries his best but often needs others to help him figure out the best path. I found it a challenge to decide what Captain Green's next eco mission should be. I had drafted a story focused on climate change, set in the Arctic. I batted with it for a long time, and then one day, decided to take elements from it (like Captain Green's FREEZE MACHINE) and use them in a new story about deforestation (now with a TREE MACHINE!). It is said that nothing is wasted in writing! The initial draft seemed to just write itself, and it felt right and more the story I wanted to tell.
 
I think there are a lot of positives to writing a sequel. I knew who Captain Green was and what he sounded like. I knew what he looked like. Having worked with Danny before, I could visualize his style of art while I wrote, and that helped me build scenes in my head. I knew that I wanted the book to have similarities to the first but to be able to stand on its own too, and for it not to be important whether or not readers had read the first one. So, there were a lot of elements to think about, but overall, it was very positive.
 
Would you say the same with writing your very fun series, ROSIE THE DRAGON AND CHARLIE? Was it more positive than, say, 'challenging'?
 
LHK: Yes! I agree with what you said, nothing is wasted, even in writing. I pulled from the many sequels I’d begun to draft and played around with the strongest scenes. The fact that I could visualize Nate Wragg’s art style helped me so much as well! I really felt like I could imagine what he might do with scenes, which helped with the writing. It was fun to spend time with Rosie and Charlie again, especially since I knew them so well. If I were to ever write a sequel to Calvin’s story (which I hadn’t thought about until now), I feel like I would really know how he might react in different situations in a deeper way. I think my knowledge of him would enhance the sequel for sure.
 
LHK: I’d love to hear about what inspired you to write a story about deforestation.
 
EB: Trees and forests have always been special places for me. I played for hours in the trees at the back on our house growing up in Ireland. Thirty years ago, my father decided to grow a forest that is now maturing nicely. I love to visit it when I return home and learn about the different trees, plants and animals living within it. I am proud of this little green ‘lung’ that has been nurtured by my family. While living in Asia for 10 years, where I worked as an international school teacher, I had the opportunity to visit Borneo and other parts of Indonesia and witness some of the intense deforestation of ancient rainforest, often to make way for palm tree plantations or farm land. I experienced weeks of intense air pollution in Singapore when the burning of rainforest in the region prevented people from safely leaving their homes. So many aspects of my childhood and travels have fed into this story. Trees are vital to our survival and I hope this story will inspire more trees to be planted and protected. The back matter presents some simple facts on the topic and real ways that families can help.
 
EB: Lauren, I’d love to hear more about your inspiration for HOME FOR A WHILE and how your background as a social worker may have inspired it.
 
LHK: First, what a wonderful relationship you’ve had with trees. You’ve seen and experienced so much around the world. I love that your family has created their own beautiful green ‘lung.’ Thank you for asking that question. Children inspire me. They are resilient, strong, incredible beings. I worry that we as grownups spend too much time focusing on challenges, rather than reinforcing strengths. I wanted to pay homage to all of the children who let me walk beside them for a while. I have so  many children with whom I’ve worked who will live in my heart forever. I also wanted to offer a story about the power of focusing on strengths. When we look through a strength-based lens and help others do the same, we can change their lives forever.
 
EB: That is a beautiful message Lauren and it shines through in HOME FOR A WHILE. In the story, Calvin learns to calm his thoughts and feelings through breathing. As a Special Educational Needs teacher, I encourage children to do the same. Is this a technique you have used with children as a social worker or as a parent?
 
LHK: I use so many strategies with children both as a parent and as a social worker. I try to match the intensity of emotion to the intensity of a strategy. Breathing is a wonderful way to decrease intensity, but it is only the beginning. I love how Maggie shifts Calvin’s attempts to manage his emotion into strategies that are more effective and adaptive. I would imagine you work with many students around emotion regulation in your work too. Captain Green also has to manage his emotions in order to find a solution. His line, “It seems easier to ruin a forest, than to grow one” is so poignant. What qualities do you see in Captain Green that help him be so resilient?
 
EB: Wow! What a super question Lauren. I would say that mostly it’s his passion for protecting our beautiful planet that inspires him to push through, no matter what.
 
EB: HOME FOR A WHILE ends with a beautiful scene as Calvin accepts his new home, and asks to be hugged. It is such a satisfying and heartfelt ending. I would love to know more about your decision to end the story showing Calvin settled, at last, but with his foster parent rather than reunited with his own mother, who we see in Calvin's drawing.
 
LHK: I am so happy to hear you found the ending satisfying and heartfelt. I must admit: I couldn’t read this book out loud without crying the first twenty or so times. I knew if I teared up, I’d hopefully achieved the level of resonance I wanted. I felt very strongly that I wanted Calvin’s emotional arc to be centered around Maggie and living in her house. I wanted him to learn to trust her in ways he hadn’t been able to before. In order to do this, I needed him to remain in this setting. Although reunification is always incredibly important, I felt the safety and security Maggie provided needed to be front and center. I felt the open-ended nature of this final spread was authentic and hopefully provided a satisfying resolution to Calvin’s emotional arc.
 
LHK: I have one final question for you, Evelyn. Captain Green offers such important ways to make a difference in the world. I would imagine this might spark wonderful classroom conversations (either in person or via video). As a teacher yourself, in what ways do you imagine a teacher might use this book in their classroom with their students?
 
EB: Thanks Lauren. I wanted the tips for saving forests to be things that classes or families could easily achieve in their day-to-day lives. As with the first Captain Green story (about ocean pollution), teachers can use this story as a fun introduction to a conservation topic. It’s a light-hearted ‘way in’ to the problem that should not overwhelm and offers a happy ending and positive solutions. I hope that classes will have lots of share with each other afterwards. I always love to look at the little faces in front of me as I read Captain Green to groups and watch the genuine concern as children follow along. They are usually buzzing with information to share on their own experiences afterwards. In the words of Jane Goodall, I believe that, “Children can change the world.”
 
LHK: YES! Children can most certainly change the world! Calvin and Captain Green are each superheroes in their own way! I love it! I think they’d most certainly be wonderful friends! Thank you for putting such wonderful books into the world!
 
EB: Two sweet boys with big hearts! Fantastic!
This has been fun Lauren. Thanks for the fantastic questions, sharing your thoughts so brilliantly, and for your wonderful stories.
 
LHK: And thank you, Evelyn! I’ve learned so much and had a wonderful time interviewing each other! 

RJP: Lauren and Evelyn, thank you both -- what an amazing interview! It was a pleasure having you on KidLit Oasis and I hope you'll be back to share more of your wonderful books in the future!
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           >>>Click on the book covers to order your copies of Lauren's and Evelyn's books!<<<

Evelyn Bookless grew up on a farm in the west of Ireland where she loved to make forts and play in the trees with her siblings. She is a nature lover, mum, teacher and writer. Evelyn spent ten wonderful years living in Asia but was saddened to see beautiful rainforests cut down during her travels around the region. She recently moved to the Netherlands, where she enjoys cycling her blue bike, Betty. 

Twitter: http://www.twitter.com/evelynbookless
Instagram: http://www.instagram.com/evelynbookless
Facebook: http://www.facebook.com/evelynbooklessauthor
Website: http://www.evelynbookless.com

Hello and welcome back to KidLit Oasis -- the place to ​refresh your spirits, recharge your creativity, and get a literary mood boost!

We continue the Chitchat series with another awesome creative. It's my pleasure to welcome my friend and wonderful author, Melissa Berger Stoller! I can't wait to hear about Melissa's journey, her new projects, tips on revising and much more. 

Melissa is also generously giving away a picture book critique AND a copy of her new book so be sure to enter the giveaways! We will have two lucky winners with this interview!

Now, without further ado, here's Melissa. . .

Welcome, Melissa! Thank you for joining us on the blog. Please briefly describe your journey to publication.

A: First of all, thank you for welcoming me to your blog, Rosie! I’m happy to be here and enjoyed answering these thoughtful questions! :)

My journey to publication has been long and windy. The short version starts with my career as a lawyer and legal writing instructor, moves to my work as a freelance writer and editor, and also early childhood instructor, and lands on my dream job: children’s book writer. I have four books published so far. All my books were inspired by observations in my world, questions I asked, or family connections. SCARLET’S MAGIC PAINTBRUSH stemmed from a question I asked while standing in front of a Monet painting at the Metropolitan Museum of Art in NYC (my favorite museum): What would it be like to paint with a magic paintbrush? READY, SET, GORILLA! was inspired by a billboard I observed in Times Square that said, “Ready, Set, GO!” - I imagined a little GOrilla racing a GOpher! And my chapter book, THE ENCHANTED SNOW GLOBE COLLECTION: RETURN TO CONEY ISLAND, and my latest picture book, SADIE’S SHABBT STORIES, were both inspired by family history. I have many wonderful storytellers in my family including my parents and grandmother, and these books honor the stories I cherished growing up and beyond.
 
SADIE’S SHABBAT STORIES is really the story of my heart. Lisa Goldberg’s gorgeous Chagall-like illustrations brought the characters and scenes alive in such a beautiful and moving way. The book is about Sadie, who loves hearing her Nana tell stories about their family heirlooms, relating to the candlesticks, Kiddush cup, and challah cover they use to celebrate the Jewish Shabbat. Sadie longs to find her unique voice and tell her own special stories, just like Nana. When writing, I also thought about my three girls, and I wanted to depict Sadie as a strong girl growing and using her voice. I’m so thankful to Callie Metler-Smith at Clear Fork Publishing for believing in this book, and to Mira Reisberg for her amazing editing and art direction.

Q: What do you find most challenging in this business, either on the creative or publishing side of things? What do you find most rewarding? What helps you stay motivated?
​
A: I find most challenging the waiting we all do in the publishing world. From sending out queries to agents and editors, to waiting for the finished book to appear in our hands, it’s often a long wait at every turn. But when I share a book with children at school visits, the smiles, head nods, questions, and comments remind me that it’s always worth the wait! Connecting with readers is one of the most rewarding and motivating parts of the publishing world, aside from the moment you hold a finished book in your hands for the first time. That is truly a moment to take a deep breath and celebrate!
 
 
Q: Could you share any craft tools or techniques that you find most helpful to you when working on a project? What does your revision process look like?

A: When working on a project, there are many craft techniques that are helpful. I always pay attention to pacing and page turns in picture books. Good pacing ensures that the reader will want to turn the page. I often use sticky notes on blank pages of paper and I move text around to capture the perfect page turn. Also, I write a mission statement/pitch at the top of every manuscript and also list mentor texts. I keep an eye on the mission statement to ensure my manuscript is moving in the correct direction in terms of plot and theme (and sometimes I change the mission statement if the story is moving in a different and better direction!).

When revising, I try to make sure that the story has enough heart, humor, or whatever the voice is. Heart is always at the center of every story. Of course, my critique partners are so vital to the process. They comment on big picture and small picture items, and always spark revision ideas. Sometimes during revision, I may totally change the point of view or add or subtract characters. Anything can happen! 

Q: What's coming up for you next? Please tell us about any new releases, exciting news, upcoming events or anything else you'd like to share with our readers?

A: I’m so happy that RETURN OF THE MAGIC PAINTBRUSH will be releasing in 2021. It’s the sequel to SCARLE’T MAGIC PAINTBRUSH, and it’s all about friendship and second chances. It also includes colors and nature –  both STEAM themes. The illustrations I have seen so far from artist Sandie Sonke are amazing! Also, I’m collaborating on a project with Callie Metler-Smith and Shirin Shamsi – a new picture book series. The first book is PLANTING FRIENDSHIP – PEACE, SALAAM, SHALOM. It’s about three girls from different faith traditions who find friendship while cultivating plants at school. Callie, Shirin, and I are from the same faith traditions as the girls, and we have had so much fun sharing ideas as well as our unique heritages while writing the story together. I can’t wait for this book to be out in the world as it celebrates kindness, cultures, and kids.
 
Thank you so much for chatting with me, Rosie! I can’t wait to add your latest book, SUNDAY RAIN, to my picture book collection! 

You're very welcome, Melissa! Thank you for your continuous support of my work and thank you for being my guest on KidLit Oasis! I hope you will be back to chitchat about your future releases, too. 

Readers, please support our featured authors/illustrators by following them on Twitter, requesting their book through your local library, posting reviews on Amazon and Goodreads, and of course, purchasing their books.

I hope you enjoyed this post — social media shares and boosts are greatly appreciated. Thank you!

To enter the giveaways, please leave a comment and indicate your preference of critique or a book.
 
Connect with Melissa Berger Stoller:

Website: https://www.MelissaStoller.com
Twitter: @MelissaStoller

*Click on the book cover to order a copy of Sadie's Shabbat Stories

​Melissa Stoller is the author of the chapter book series The Enchanted Snow Globe Collection - Return to Coney Island (Clear Fork Publishing, 2017); and the picture books Scarlet’s Magic Paintbrush, Ready, Set, GOrilla!, and Sadie’s Shabbat Stories (Clear Fork, 2018 and 2020). Upcoming books include Return of the Magic Paintbrush. Melissa is a Blogger and Assistant for the Children’s Book Academy, a Regional Ambassador for The Chapter Book Challenge, a Moderator for the Debut Picture Book Study Group, a volunteer with SCBWI/MetroNY, and a founding member of The Book Meshuggenahs. In other chapters of her life, Melissa has worked as a lawyer, legal writing instructor, and early childhood educator. She lives in New York City with her family, and enjoys theatre, museums, and long beach walks.

Hello everyone! 

It's another terrific Tuesday and you're back at KidLit Oasis. Thank you for visiting! As you know, this is the place to refresh your spirits, recharge your creativity, and get a literary mood boost. 

Are you comfy and cozy? Are you ready to welcome this week's guest? The multi-talented Author and Librarian, Kena Sosa is here to share some wisdom, insight, and inspiration with us! 

Welcome, Kena! Thank you for joining us on the blog. Please briefly describe your journey to publication.

A: It’s strange how the most healing practice in my life is writing and my most major writing accomplishments seem to partner with downturns, like writing was there for me during my harshest trials. I discovered how easily words took me out of my pain as a teenager. I was grounded and thought I would literally die of boredom. I found a typewriter and let it free me. In publishing I started out writing travel pieces and articles as well as reviewing children’s books. I wrote and wrote and wrote, for myself mostly but after moving to Dallas and attending SCBWI, I thickened up my skin and started submitting.

There were rejections, as there are in life. I kept trying. My first book was released by 4RV Publishing in 2015. It was such a victory, and then months later, my household tore apart. It was painful to meet people and force a smile, but I knew this was my chance to prove that I could be an author. I am immensely thankful to the authors I met during that first year who shared their expertise, their techniques and their stories with me. Their kindness and friendship kept me from giving up. I wrote my second book based on what I learned during a travel and research grant, but many found the subject matter a bit controversial for a picture book. 4RV took it on, but had me rewrite it as a chapter book, a new challenge for my squirrel-like attention span. How right they were! That book, Kindertransport-a child’s journey, earned my first award as an author, a Children’s Literary Classics Award in historical fiction in 2018. Soon after my third book, The Unhuggables, emerged after my son asked me what would happen if you hugged a porcupine. That book, under River Road Press, won an award as well, The Enchanted Page Book Award in 2019. With each heartbreak, a victory, and with these experiences I can say, it has been a life worth writing about. 

​Q: What do you find most challenging in this business, either on the creative or publishing side of things? What do you find most rewarding? What helps you stay motivated?

A: I think one measures challenges in the same way one measures success, through the lens of perspective. I have always struggled the most with the gaps between projects. Like Tom Petty sang, “the waiting is the hardest part.” You are filled with anticipation, excitement, or anxiety simply waiting for an acceptance or rejection, waiting to see a finished product, waiting to find out how your creation will be received.
​
Coming in at a close second is editing. It is so necessary like going to the dentist, but never something one looks forward to as a writer. To get through it, I try to make the journey of editing like a mental puzzle, to challenge myself to make it better by arranging the pieces in ways they work better.

Q: Could you share any craft tools or techniques that you find most helpful to you when working on a project? What does your revision process look like?

A: As far as my writing process goes, I always keep a scrappy notebook. Whenever a little spark flickers at me, whether it is a name I like, a phrase or a plot twist, I jot it down before I forget. I don’t typically sit down to write an entire story from conception to birth in one sitting. It needs time to grow and develop. So, I let those snippets sit in the notebook until they find each other organically and weave themselves into a story I can tell. That’s when I take a seat and let the story tell itself from start to finish. I give it a day or two to settle, and then from the scrappy notebook, where the story may be written in the margins, backwards or upside-down, however it decided to be, and type it up. I edit mostly during this stage. Once it is in the e-world, I employ tools to help me polish it up.
​
I just learned recently that Word will do a readability check for you which tells you the reading level of your manuscript, including incidents of passive voice and counts the number of words per sentence. My inner child may write through me; however, she writes too mature for her age. This tool helps me figure out how to rewrite and adjust my voice to the right audience before it is ever seen by an editor. There is also a citation checker built in. I am a firm believer in working smarter, not harder so any trick to get things moving is a plus in my book.

Q: What's coming up for you next? Please tell us about any new releases, exciting news, upcoming events or anything else you'd like to share with our readers?

A: Although many aspects of life have slowed, I am still coming down off the thrill of winning the Enchanted Page Book Award in 2019 for The Unhuggables.

Considering current events, most of us have not held in-person events and have turned to technology to pursue our dreams as authors. I have been learning to adapt like the rest. I worked on improving my website and updating my social media presence as well as opening my mind to more unconventional opportunities.

Meanwhile, these days appear to be the perfect time to speak less and read more. I can help with that. I am happy to announce that I am anticipating a new release in 2022! I can’t wait for you to read it!

Thank you, Kena -- I can't wait to read your new book! It was a pleasure having you on the blog! I wish you all the best on your journey and many more successes! 

Readers, please support our featured authors/illustrators by following them on Twitter, requesting their book through your local library, posting reviews on Amazon and Goodreads, and of course, purchasing their books.

I hope you enjoyed this post — comments and shares are appreciated. Thank you!

Connect with Kena Sosa:

Website: www.kenasosa.com
Twitter: : @sk_kso

School librarian by day and writer by night, Kena Sosa adores words. She also loves playing the drums. She earned her bachelor’s degree from Our Lady of the Lake University and her master’s degree in bilingual education from Southern Methodist University. Her first children’s book, Rey Antonio and Rey Feo, was born of the celebration of her childhood in San Antonio. Her second book, Kindertransport: A Child’s Journey, is about the escape of children on the Kindertransport train just before the outbreak of World War II. Kena Sosa has lived in Japan and Mexico, but sharing stories with her two sons and other eager readers has been her favorite adventure yet!

Piles of multi-colored leaves, rainy, chilly days, warm drinks and cozy sweaters. . . Are you enjoying fall? What have you been reading? 

Well, just in time for Halloween, I am pleased to introduce to you a new picture book and interview its author!

So, once again dear readers, welcome to the KidLit Oasis ― the place to refresh your spirits, recharge your creativity, and get a literary mood boost! It's great to have you here!

Now, stretch your smiles wide and get comfy and cozy for an awfully fun and sweet chitchat with children's author Sandra Sutter who is here to share some wisdom, insight, and inspiration with us!

Plus, check out the giveaway at the end of this interview. 

Welcome, Sandra! Thank you for joining us on the blog. Please briefly describe your journey to publication.

A: Stan’s Frightful Halloween was one of the first stories I wrote when I began my (serious) writing journey in 2017. But after a few critiques with my newly-formed critique group, it sat untouched in my computer while I worked on other projects. Meanwhile, my debut picture book, The Real Farmer in the Dell, was picked up by Mira Reisberg and Callie Metler at Spork, an imprint of Clear Fork Publishing. I got to know Callie through that process, and when I saw she didn’t have a Halloween-themed story on her list, I showed her my manuscript. Callie loved clumsy werewolf Stan as much as I did, and now he and his story can be shared with everyone!
 
Q: What do you find most challenging in this business, either on the creative or publishing side of things? What do you find most rewarding? What helps you stay motivated?

A: There are a lot of challenging aspects of the Kidlit publishing world. The biggest challenge is staying motivated in the face of rejection and long waits. There are a lot of both! But being a part of the community – building friendships, learning, giving back – and sharing stories and information with children are incredibly motivating rewards. And, for me, the creative process isn’t optional. The need to do it IS motivation.
 
Q: Could you share any craft tools or techniques that you find most helpful to you when working on a project? What does your revision process look like?

A: My brain generates a lot of ideas, often at random times when I can’t get around to working on them (on a mountain bike, at the grocery store, in the shower, while driving). So, I email myself when an idea takes root and tuck it away in a special computer file. When I’m ready, I revisit the idea. I’ve found it helpful to add details – to note the word, image, or memory that prompted the idea – so when I circle back to it, the spark is still there.

My revision process always begins with sending the work to my critique partners. I need feedback! It doesn’t matter if I agree or disagree, the feedback itself is incredibly valuable and I trust my critique partners always have my best interest at heart. Sometimes I set the work aside for a while to allow things to sink in. Other times, I revise right away because I am too excited about making the story better. I really, really love the feeling that a “missing piece” has been found and my manuscript “puzzle” is almost complete.

Q: What's coming up for you next? Please tell us about any new releases, exciting news, upcoming events or anything else you'd like to share with our readers?

A: I’m incredibly excited about the release of Stan’s Frightful Halloween and sharing this loveable character with the world. Stan has a lot going on for such a young werewolf, so you might get to see more of him in the future.

Due to COVID and remote-schooling two young kids, my time devoted to writing has been … limited. But, I do have some exciting plans in the works which I hope to announce soon. You can follow me on Twitter or visit my website for more information, and please stop by the Wonder of Words blog, which I run with five amazing critique partners. Every three months I host the PITCH IT TO ME CHALLENGE, where an author pitches a story idea and a “celebrity” guest and I craft our own and put it to a vote. It’s always fun and a great way to see multiple pitch ideas.

Thank you, Rosie, for having me here today. It’s been a pleasure to share a bit about my journey and creativity with your readers. 

You're very welcome -- that was wonderful, Sandra, and I can't wait to hear more about the exciting plans you'll be announcing! Wishing you all the best on your journey and many more literary successes! 

Readers, please support our featured authors/illustrators by following them on Twitter, requesting their book through your local library, posting reviews on Amazon and Goodreads, and of course, purchasing their books.

I hope you enjoyed this post — comments and shares are greatly appreciated. Let's spread the word! Thank you!

Connect with Sandra Sutter:
Website: www.sdsutter.com
Twitter: @sandradsutter
                                                                                    (click on the book cover to order a copy)

​​Sandra is the author of THE REAL FARMER IN THE DELL (Clear Fork Publishing, 2019), a modern, gender-bending take on the popular children's song, and STAN’S FRIGHTFUL HALLOWEEN, a spookily fun story of a clumsy, but determined young werewolf. She is a member of SCBWI and an assistant with the Children’s Book Academy. When not writing, Sandra is a mountain-biking mom and jewelry-making hobbyist with a knack for finding life's silver linings. Connect with her at www.sdsutter.com, or on Twitter @sandrasdutter. 

Hello, lovely readers!

Thank you for visiting KidLit Oasis! This is the place to refresh your spirits, recharge your creativity, and get a literary mood boost!

Now, stretch your smiles wide and get comfy and cozy for a lovely chitchat because today we have another awesome creative on the Chitchat series... Children's author Keila V. Dawson is here to share some wisdom, insight, and inspiration with us!

Plus, check out the giveaway at the end of this interview. 

Welcome, Keila! Thank you for joining us on the blog. Please briefly describe your journey to publication.

A: My road to publication was a sprint. After a friend challenged me to tick “writing a children’s book” off my bucket list, I wrote the first draft of my debut picture book, THE KING CAKE BABY, illustrated by Vernon Smith (Pelican Publishing 2015). I was fortunate to find an active local SCBWI chapter where I live who helped me revise the manuscript, encourage me to submit, and the book published two years later. As a newbie in the industry, I had no idea what I didn’t know. In retrospect, had I known what I know now about networking and book promotion, it may have been better to be the tortoise in the race. While playing catch up on creating a social media presence, taking writing craft classes, and networking with the kidlit community, I wish I would have written more stories. I submitted a companion story that passed acquisitions that is still unpublished so there’s never a guarantee even when you think you’ve jumped the highest hurdle.
 
A highlight of my journey as a writer has been working collaboratively for the past two years with Lindsay Metcalf and Jeanette Bradley on NO VOICE TOO SMALL: FOURTEEN YOUNG AMERICANS MAKING HISTORY. I am so proud of this project, especially since there were so many moving parts. And I think the support from our editor Karen Boss and the team at Charlesbridge deserve credit, too, for believing in this project and dedicating the time and resources to make it shine.
 
Having learned my lesson, I kept writing new drafts while working on NO VOICE TOO SMALL.

​Q: What do you find most challenging in this business, either on the creative or publishing side of things? What do you find most rewarding? What helps you stay motivated?
​
A: The most challenging part of book publication is the juggle. I am constantly trying to balance writing new stories with research, revision work, contributing to the kidlit community, studying the craft, and keeping up with new releases while creating content for marketing. And figuring out where to target my energy and what promotion isn’t worth the investment of time or money. Promotion works, it’s just time-consuming.
​
What keeps me motivated is uncovering stories - especially untold stories – that add to narratives often left out of history books and school curriculum. I love research, and I lean toward nonfiction. And I can easily fall down a rabbit hole because I enjoy learning about other cultures, re-learning history and discovering different perspectives on stories outside of my lived experiences. Sometimes a story grabs onto me and it won’t let go. Those are the stories I feel compelled to dedicate time to research and write. I am working on a manuscript now with the help of others outside of the U.S. and we are all committed to it because it will hopefully inspire children to consider conflict resolution without resorting to violence. 

Q: Could you share any craft tools or techniques that you find most helpful to you when working on a project? What does your revision process look like?

A: Something I learned in genealogical research is to research widely. After choosing a topic or subject, I search for academic publications and contact experts in the field to help me figure out different perspectives. With perspective, I can start thinking about the story arc and find those gems hidden in history that would resonate with kids.
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For revision, I rely on trusted critiquers who give me their honest opinions. Again, for me, it’s all about perspective. Who’s story am I telling, why does it matter, and what do I want my readers to know?
 
Q: What's coming up for you next? Please tell us about any new releases, exciting news, upcoming events or anything else you'd like to share with our readers?
 
A: I will take part in San Francisco Public Library’s Kidquake 2020 on October 16th. And I’ll be at the virtual Buckeye Book Fair in November. Jeanette, Lindsay and I have one more virtual book launch event planned in Ohio where I live on November 14 at 11 am/EST with Cover to Cover bookstore. And it’s time to start promoting my next book, OPENING THE ROAD: Victor Hugo Green and His Green Book, illustrated by Alleanna Harris (Beaming Books, January 26, 2021).

Lindsay, Jeanette and are already engaging with kids and schools with NO VOICE TOO SMALL. We are offering access on-demand (asynchronous) and live (synchronous) visits, suitable for classroom or at-home use. There’s an Activity Guide to use with the book I created using ELA Common Core Standards and other relevant content standards. Here’s a page with links to our collection of resources including “Young Activists Speak” videos, mini writing workshops, art class with Jeanette Bradley, and the No Voice Too Small pledge and more. We’re excited that the No Voice Too Small Book Club is featured in Flipgrid’s Discovery Library.

I’ll have more book news to share soon, and I’m excited about my work in progress.

Thank you, Keila! Wishing you all the best on your journey and I look forward to your future projects.

Readers, please support our featured authors/illustrators by following them on social media, requesting their book through your local library, posting reviews on Amazon and Goodreads, and of course, purchasing their books.

I hope you enjoyed this post — comments and shares are appreciated. Thank you!

Connect with Keila V. Dawson

Website: www.keiladawson.com
Twitter: @keila_dawson
Instagram: @keilavdawson
Pinterest: pinterest.com/keiladawson/

            Keila V. Dawson                        Lindsay H. Metcalf                        Jeanette Bradley