Happy Tuesday, everyone!

This week, my guest on KidLit Oasis is author and illustrator Amanda Davis, and I can't wait to hear more about her journey as a writer that led to the release of her debut, 30,000 STITCHES. Plus, a chance for you to win a copy of the book!

Welcome, Amanda! Thank you for joining us on the blog. Please briefly describe your journey to publication.

A: Hi Rosie, thanks so much for having me on the blog! I’m excited to be here to celebrate 30,000 STITCHES together! My love for art and writing stems back to my childhood. My father passed away when I was twelve, and I turned to art and writing to cope and process my emotions. This is what led me to teach art and later write and illustrate children’s books. I want to show kids the power in our stories-whether through writing, reading or visual art. In 2012, I took a continuing education course at the School of the Museum of Fine Arts, Boston called, Illustrating Children’s Books, with illustrator, Ilse Plume. This course was eye opening for me and kick-started my career in kidlit. I realized that children’s books combine all three of my passions: art, writing, and stories. After completing that course, I dove headfirst into the craft of writing and illustrating for children (while balancing my job as a full-time high school teacher). I joined SCBWI, 12x12, and found a local and online critique group. I tried to soak in all the knowledge I could about the kidlit industry. I began to query literary agents and editors with a few of my stories. Looking back, I probably queried those stories too early, but hey, that’s part of the learning process. The story that finally landed me an agent and later a deal is my debut creative nonfiction picture book titled 30,000 STITCHES: THE INSPIRING STORY OF THE NATIONAL 9/11 FLAG, illustrated by the amazing Sally Wern Comport and due out with WorthyKids/Hachette Book Group on May 4th.

I first learned about the story back in 2011 when I facilitated an art lesson around the story of the flag with my art students for the tenth remembrance of 9/11. The story lingered in my head, but needed time to flourish. Later, after visiting the National September 11 Memorial & Museum in 2014 and being overcome with emotion at the artifacts and the stories, it was a reminder of the importance of telling this story of the flag.So, I decided to try my hand at crafting a manuscript for it. I have a background in journalism, so it was a delight getting to research and interview primary sources for the story. From the Ground Zero Superintendent to Flag Tour Staff, the people who I spoke to about the flag, were incredible. Once I had the story polished up, which was many months later, I began to query agents and editors. The process of landing an agent and book deal was filled with ups and downs. I had many passes along the way but most were positive and many had personalized feedback, so I knew I was on the right track.  I even got a few requests to revise and resubmit. I submitted to WorthyKids by snail mail through the slush pile and after many months of not hearing back, I took that as a pass.

I continued to query the story and later, connected with agent, Melissa Richeson who signed me for the project. Seven months later, an assistant editor from WorthyKids contacted me to ask if the story was still available. Of course, I said a big and enthusiastic YES, connected her with Melissa. The rest is history!

Long story short, it took me about nine years to get my first picture book traditionally published! It can be a long and winding road to get there, but if you keep pressing ahead, you are bound to meet your destination.

Q: What do you find most challenging in this business, either on the creative or publishing side of things? What do you find most rewarding? What helps you stay motivated?

A: Oooh, good question! There are many, ha! I think one of the biggest and most consistent challenges has been getting varying feedback from agents and editors when querying them with my stories-especially with nonfiction. As with any art, writing and illustrating are subjective. Each agent or editor has particular tastes and will have different opinions on how to make your story stronger (or you get little feedback at all). For example, when querying 30,000 STITCHES, some agents and editors wanted to see more of the factual information from the back matter directly in the text while others wanted to keep it more sparse. It’s hard to wade through these reactions and know exactly what to do. I remember putting so much pressure on myself to get the revisions right and thinking “this is my one chance!” In the end, many of those revisions didn’t end up landing me a deal but did lead me to a version of the story that sold to WorthyKids.  I think so much of what we do as creators is about taking risks, following our gut, crossing our fingers, and hoping for the best. On the business side of things, often times there are many factors that are out of our control, which can be also frustrating. For example, maybe a particular editor just recently acquired a similar story so they pass on yours, or perhaps their profit and loss statement doesn’t fall in your favor, or maybe they’re looking for very specific stories to balance out theirtheir list. Each of these scenarios has happened to me. So, with so many unknowns, all we can do is keep writing, revising, and lean into our critique groups and, loved ones for support. We must continue to remind ourselves to find the joy in creating and know that the more stories we write and illustrate, the better our chances will be that one will resonate strongly with an agent or editor. Most importantly, children need our stories. And, for me, if positive thinking and self-talk aren’t doing the trick, I turn to my rescue pup, Cora for comfort. She’s always willing to lend a listening ear. :)

Q: Could you share any craft tools or techniques that you find most helpful to you when working on a project? What does your revision process look like? 
​
A: My revision process for my writing is much like my revision process for my art. Many versions, and much research. My first drafts for my writing are like my rough sketches for my illustrations-loose and organic. As I get feedback, I begin to revise and the images and words get more refined. I thought it might be fun to take a look at revision from the illustration side so I included a few examples from the illustrations I recently did for The Writer’s Loft, Friends and Anemones: Ocean Poems for Children anthology. Before even putting pencil to paper, I had to do a lot of research on the creatures of the deep sea such as, vampire squids, angler fish, and sea pens. Finally, once I had a solid idea of what the creatures looked like, I put pencil to paper and completed a rough sketch.  Same thing for my narwhal illustration. You can see the different versions and how the images evolved. With the narwhal illustration, the original poem started off sad but then the author was asked by the editors to brighten the mood, which in turn shifted my dark and dreary illustration. I had to flex and mold my image to fit the cheery new poem, which meant a brighter color palette to create a joyful mood and revising the expressions and positioning of the narwhal characters. When writing, my revision process tends to be the same, it’s important to stay open and loose with first drafts, not get too attached to any version, and of course, leave room for the illustrations. 

Q: What's coming up for you next? Please tell us about any new releases, exciting news, upcoming events or anything else you'd like to share with our readers?

A: Yes! Tonight is my first launch event at The Silver Unicorn Bookstore! I’m super pumped to be in conversation with members of the flag tour staff as we discuss their role with the flag and reflect on the upcoming 20th remembrance of 9/11.

You can register for the event HERE! If you register, you’ll be entered for a chance to win a five-pack of lovely notecards featuring art by Sally Wern Comport from the book. The winner will be announced at the end of the event and must be in attendance to win. I hope you all can join us!!

​30,000 STITCHES celebrations continue throughout the month! The complete schedule can be found HERE or see below for the full list. Allevents are virtual, FREE and open to all! Follow along my virtual blog tour for more giveaways and interviews as well! It’s been such a blast chatting with you, Rosie. Thanks again for having me, and best of luck on your own creative projects!! Cheers!

​Amanda Davis is a teacher, artist, writer, and innovator who uses her words and pictures to light up the world with kindness. Amanda is the author of 30,000 STITCHES: THE INSPIRING STORY OF THE NATIONAL 9/11 FLAG and has poetry and illustrations featured in The Writers’ Loft Anthology, FRIENDS AND ANEMONES: OCEAN POEMS FOR CHILDREN. When she’s not busy creating, you can find her sipping tea, petting dogs, and exploring the natural wonders of The Bay State with her partner and her rescue pup, Cora. 

Welcome, Kataneh! Thank you for joining us on the blog. Please briefly describe your journey to publication.
​
A: The seed of the story of “Kat and Juju” was inspired by the time I first moved to America from Iran. My mother, my little brother and I left everything behind and came to this country with couple of suitcases, very little money and barely speaking any English.

The theme behind “Kat and Juju” (book 1 of the series) is about bravery and overcoming our fears even at a young age. All the childhood traumas and self-doubts can create insecurities and change lives. If we don’t face our fears when we are kids, they can become bigger issues down the line. I learned to be strong from my mother and also a fallen wild baby bird who once came to my life and inspired me to be brave. My Juju!

I always tell my students and the young creators/authors to be true to themselves when they write a story. Many powerful memorable stories are the ones that are based on the true experience and a raw emotion. This way we can touch the hearts of many, and hopefully bring a positive change.

I want to be honest and tell your readers that the journey to the publication was a long painful one. I had to go through many ups and downs. I knocked on several doors that never opened and many people in power doubted my abilities because I am a minority woman! But luckily, I never let that stop me. I knew I came to this country for a reason. I knew I was one of the lucky ones who got a chance to be free and have a voice. I knew I was responsible to tell a story that can hopefully make an impact. My drive and passion helped me to continue.

So, if you have a story that can heal and help others, never give up. Share your story with the world.

Q: What do you find most challenging in this business, either on the creative or publishing side of things? What do you find most rewarding? What helps you stay motivated?
​
A: Favoritism is toxic in many industries including ours. Sometimes we get rejected not because our story is not good enough, but because we are not connected to the people in power. Also being a minority woman can make it really difficult to get a platform.

But times are changing and today many women including diverse women, are getting a chance to be heard. So, I encourage you to embrace your true self. Be honest, be proud, be you. Once my Juju taught me to open my wings and fly high and I want to inspire you to do the same.
 
Q: Could you share any craft tools or techniques that you find most helpful to you when working on a project? What does your revision process look like?

A: I believe sometimes to be able to connect to our creative mind, we need to first try to disconnect. When I first want to write a story idea, I find a space (in nature or at home) where nobody else can distract me and I just zone out. It is a form of meditation and a massage for our brain.

I know we are all going through challenging times so I suggest finding that space where you can cleanse all your thoughts and find that moment when you can reconnect. Allow yourself to disconnect and then find the connection like rebooting your mind. The creative magic can be found there.

I am a visual storyteller and I illustrate my own projects. So, after finding the seed of the idea, I start thinking about shots. I start by writing down the story beats and then draw small thumbnails. This way I can look at the bigger picture and later make the adjustments.
 
Q: What's coming up for you next? Please tell us about any new releases, exciting news, upcoming events or anything else you'd like to share with our readers?

A:“Kat and Juju” is my first children’s book and it will be a book series. These days I am working on the story beats of “Kat and Juju” Book #2.

I was always afraid to be visible and have a public platform. But yet again Juju taught me to be brave and face my fears. So, a few weeks ago, I made @KatandJuju Instagram account public and the support has been unbelievable!

Kat, Juju and I are so excited to meet all our friends (we call birdies) all around the world. We hope to be able to inspire them to face their fears, believe in themselves, open their wings and reach their full potential.

I’m grateful to say I am currently directing my feature animation movie. At this moment I can’t announce anything, but I’m excited to share the news with you and your wonderful readers once the time is right.

I came to this country barely knowing any English, with couple of suitcases and a dream. I worked hard and I didn’t give up even when others wanted me to stop achieving my dream.
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Today I have a voice and my wings are open. Want to fly with me?

This was a fun chat, thank you! And congrats on all of your success -- I look forward to the animated movie, too, how exciting!

Readers, please support our featured authors/illustrators by following them on Twitter, Instagram, requesting their book through your local library, posting reviews on Amazon and Goodreads, and of course, purchasing their books.

I hope you enjoyed this post — comments and shares are appreciated. Thank you!
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Connect with Kataneh:
Amazon Page
Instagram Page: @KatandJuju
Twitter: @KatanehV and @KatandJujuLove
Facebook: KatanehVahdani and Kat Juju
Facebook Page: @KatandJuju

Hello, quarantined-but-unstoppable readers!

Once again, you have arrived at the Oasis! Thank you for visiting. I hope you find it to be a place to refresh your spirits, recharge your creativity, and get a literary mood boost!

Now, stretch your smiles wide and get comfy and cozy for a double delight of a chitchat because today we have another awesome creative on the KidLit Oasis series... Children's author and illustrator Janee Trasler is here to share some wisdom, insight, and inspiration with us! Plus, check out the giveaway at the end of this interview.

Welcome, Janee ! Thank you for joining us on the blog. Please briefly describe your journey to publication.

A: I started out as an illustrator. I enjoyed illustrating other people’s words, but I kept feeling that I wanted to tell more of the story myself. I wrote some truly awful first manuscripts before I decided to take a writing workshop and learn how the heck it was supposed to be done.

In 2006, I had a freakishly quick sale on my first two books (series), and thought “Wow! This is easy!”

Five (long) years later, I finally sold another book (thank you Jamie).
Books 13, 14, and 15 come out this year.
 
Q: What do you find most challenging in this business, either on the creative or publishing side of things? What do you find most rewarding? What helps you stay motivated?

A: I’m my own worst enemy sometimes. I have TONS of ideas. My brain spits them out constantly. It’s sitting down and shaping them that can trip me up. If it feels difficult, I start doubting the merit or the viability of the idea.

But, oh, when it comes together…

THAT’S what keeps me motivated—that awesome feeling when the idea, the words, the structure, the pacing, and the images all marry together into a satisfying story.
 
Q: Could you share any craft tools or techniques that you find most helpful to you when working on a project? What does your revision process look like?

A: I’m big on the planning stage of things. I want to know exactly where I’m going before I dig into the actual writing or illustrating. I need a solid storyboard. With a board book, picture book, or early reader, I like to number a blank piece of paper with the number of spreads. Then I usually jot down my idea of where I think the various plot points happen on those spreads for that particular story (intro, action 1, action 2, action 3, climax, resolution). Then I fill in the blanks.

I’ll probably revise this written storyboard six to seven times before I start writing.

I’m working on some longer format ideas now. I’m using more of an outline than a storyboard, but the same elements are all still there.

On the illustration side of things, I work completely digitally. My latest books were done on the iPad (and under the influence of many cappuccinos).
 
Q: What's coming up for you next? Please tell us about any new releases, exciting news, upcoming events or anything else you'd like to share with our readers?

A: I’m so excited! I feel very fortunate to be publishing a series of three emergent readers with Scholastic Acorn this year. Acorn is the younger sibling of the successful Branches imprint.

These three books follow the exploits of Frog, Frog, Frog, and Dog.

With our current world situation, we’ll all have to stay tuned about upcoming events. I hope to have a book launch in May for the first two books FROG MEETS DOG and GOAT IN A BOAT at my local library.

Thank you, Janee, it was a pleasure chatting with you! Best of success with the new releases and keep them coming -- your books are adorable and fun! Hope to see you again soon at a North Texas event.

Dear readers, please support our featured authors/illustrators by following them on Twitter, IG, requesting their book through your local library, posting reviews on Amazon and Goodreads, and of course, purchasing their books while supporting your local indie bookstores.

I hope you enjoyed this post... But wait, there's more! janee is generously donating a critique (board book or picture book or early reader) to one lucky winner! Simply comment below to be entered. And don't forget to share this post on your social media to help Janee spread the word of her new releases. Thank you!
 
Connect with Janee Trasler:
Website: www.trasler.com
Twitter: @janeetrasler
IG: https://www.instagram.com/janeetrasler/

​Janee Trasler is the author-illustrator of fifteen books for children, including the popular Chickies series from HarperCollins and the upcoming Frog and Dog series from Scholastic/Acorn. She also enjoys bringing other people’s books to life with pictures. Even when she’s not writing and illustrating books, she can still be found telling stories through music and puppets.
 
Janee is represented by Jamie Weiss Chilton at the Andrea Brown Literary Agency.
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Click on the book cover to order a copy from your Indie Bookstore!

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If you'd like to support my work, consider pre-ordering a copy of
Sunday Rain (Lantana Publishing/Lerner, 2021)

Hello, lovely readers!

It's great to have you back at the Oasis! Remember, this is the place to refresh your spirits, recharge your creativity, and get a literary mood boost!

Now, stretch your smiles wide and get comfy and cozy for a delightful chitchat because today we have another awesome creative on the KidLit Oasis series... Children's author and illustrator Jaimie Whitbread is here to share some wisdom, insight, and inspiration with us!
 
Welcome, Jaimie! Thank you for joining us on the blog. Please briefly describe your journey to publication. 

I was pretty sure about wanting to be a picture book illustrator about half-way through college, and started plowing towards that goal single-mindedly as soon as I graduated.
I was just going to be an illustrator. I would tell people I was going to illustrate books and, oh yeah, maybe I’d write one someday, too. How short-sighted that turned out to be! In my head I had all these stories and characters that I’d been drawing for years, with a secret wish to see them out in the world someday with their stories fully fledged and ready to fly, but somehow it just didn’t occur to me that what I really wanted to be was a writer.

After about four years of single-mindedly trying to become an illustrator - skill-building, sending out postcards to art directors, looking at art reps, all that - I realized my mistake. I was aiming for a career in illustration, no writing in sight, but I kept telling people I wanted to write someday. I knew how disciplines worked - if I wanted to write “someday” I’d better start writing right then and get those awkward growing years out of the way as soon as possible.

So at that point I circled back and really started focusing on my writing. I put off my attempts to get my foot in the door with my illustration, since if I was going to debut, I wanted to do it as a writer and an illustrator. It was such an exciting time! Writing out the stories I’d always had in my head was completely new and felt momentous. And yet it felt strange and scary. To give so much of my time up to writing that had previously been focused entirely on art. I had felt like I was “almost there” with illustration and now I was starting this whole new thing that would need its own time to grow. But boy I really liked writing, so there was no turning back.

In 2017, about 8 years after setting publication as my goal, I won the Don Freeman work-in-progress award from SCBWI for a dummy book I’d written and illustrated about a tiger searching for her stripes. The same dummy helped me find my agent, Jamie Weiss Chilton of the Andrea Brown Agency, and eventually sold to The Innovation Press. It will be my debut book, and, I hope, the first of many!

Everything took a long time, but I think that’s because art takes a long time. Every discipline takes time to develop. Until my writing and my illustration had gotten to a certain level, I didn’t see much traction - which I think was a good thing. I’ve only just now gotten to the point where I’m absolutely proud of the work I am able to produce.
 
What do you find most challenging in this business, either on the creative or publishing side of things? What do you find most rewarding? What helps you stay motivated?

I think the uncertainty of whether a project will ever find its feet out there in the world is the most difficult thing I struggle with. Each project takes such an enormous amount of effort and thought, and my hopes are always so high for each one - and yet it’s such a highly saturated market, and an uncertain industry. It can be hard to keep tangling with a difficult manuscript, knowing how many potential pitfalls stand between it and being published even if I do get it written. It’s always tempting to self-reject.

I just try and remember that bringing each story to life is its own reward. That each untangled manuscript will make me a better writer, whether it sees the light of day or not. But also that no amount of potential future rejection can un-write it – a finished story with all the characters in place and doing and saying all the things I imagined them doing and saying is a gift to myself. That’s become my litmus test for whether a project deserves my time or not. If I would want to see it written whether anyone else ever reads it or not, then it’s worth my time. I am the only guaranteed reader of any story, so I better be in love with it, proud of it, glad to have written it. Whatever happens after that is out of my hands.
 
Could you share any craft tools or techniques that you find most helpful to you when working on a project? What does your revision process look like?

Because I’m an illustrator and a writer, I go back and forth a lot between the two, using one to inspire the other. I love to draw characters and scenes from manuscripts I’m working on, and to brainstorm stories based on my one-shot illustrations. The back and forth between the two keeps everything fresh and exciting through the long drudgery of getting something written and revised.

I do a lot of work in revision. I think one of my gifts is in seeing what a story should be – the dramatic, comedic, poetic potential – and being bothered when it’s not up to snuff. I get so frustrated when a manuscript feels under-cooked, I end up with pages and pages of notes on character and plot and theme and how I can make it all better. Then it’s just a matter of keeping at it until it really, deeply satisfies my inner lover of great stories.
 
What's coming up for you next? Please tell us about any new releases, exciting news, upcoming events or anything else you'd like to share with our readers?

My debut book, A Tiger Without Stripes, is out March 3rd! It’s a thoughtful, modern fable about a tiger searching for her stripes, which touches on self-identity and self-acceptance.

I’ve been doing a weekly over-view of the creation process for A Tiger Without Stripes on my social media, called Tiger Tuesdays, so check it out!

Thank you, Jaimie, this was an amazing chat! I love your attitude in regards to the many uncertainties in this business and what you said here is a good reminder for all of us: "I just try and remember that bringing each story to life is its own reward."
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Readers, please support our featured authors/illustrators by following them on Twitter, requesting their book through your local library, posting reviews on Amazon and Goodreads, and of course, purchasing their books.

I hope you enjoyed this post — comments and shares are appreciated. Thank you!
 
Connect with Jaimie:
Website: jaimiewhitbread.com
Twitter: @jaimiesomething